Nowadays, social media platforms, particularly TikTok, have become an integral part of modern netizens’ daily lives and have the potential to shape their views on various societal issues. This research aims to explore how TikTok perpetuates negative stereotypes and biases toward older people. And the results will be presented quantitatively, including the frequency and percentage of videos portraying older people in each of the three aspects and identifying patterns and themes. This essay analyzes the impact of TikTok(Chinese) (TikTok in China) on perpetuating negative stereotypes and biases toward elderly individuals. It will explore the potential positive or negative effects of TikTok(Chinese) on the perception of elderly individuals and examines the reasons behind the platform’s potential contribution to perpetuating stereotypes and biases toward the elderly population. The research data shows that TikTok amplifies stereotypical impressions of older people by portraying them as preachy, lacking manners, and only good at cooking. The essay concludes with the impact of TikTok on the stereotypical impressions of older people and also the potential effects of TikTok on perpetuating negative stereotypes and biases towards more senior people in China.

The matter has continued to develop for 106 days since the revelation of the suicide of teenager Hu Xinyu. The incident was pushed to the climax after the official release of factual evidence. This is because people still have doubts and questions about the attitude toward the information released by the officials. As a result, the issue of the government’s crisis of confidence has erupted again. Taking People’s Daily as the research object, this article will use the case study method, content analysis method, and data collection method to introduce the development process of the Hu Xinyu case as the starting point to analyze the culmination of the development of Hu Xinyu case event, as well as the Weibo comment data of People’s Daily’s official Weibo account about the event, the reasons that caused the bifurcation of Hu Xinyu case comment, regional influence, and whether to trust the government. This paper summarizes that the release of official information in China should grasp the three main points of fast, accurate, and hard, while the dissemination of information needs to cross-regional differences and make full use of the network resource platform to strengthen communication, regulate the network environment and create a good atmosphere for public opinion. For the release of information on hot events, it should focus on the audience and take the audience’s needs as the starting point, thus realizing the transformation of the audience from observers to participants.

In patriarchal gaming culture, female gamers have limited space for discourse. The establishment of the “Female Gamers’ Association” provides a new channel for female gamers to resist male hegemony in both games and reality through game sharing and discourse criticism. Therefore, this paper tries to explore how female gamers confront male discourses and build their identities through a series of discursive practices around games and gender on social media. This paper analyzes the posts from the “Female Gamers’ Association” group on the social media platform Douban and uses online ethnography for further observation. The study finds that although female gamers have formed a new discursive space and resisted the mainstream gaming environment by creating their own communities, there are still limitations to this resistance, and the active resistance of female gamers also contains elements of passive submission. The study of the “Female Gamers’ Association” provides a clearer understanding of the complexities of female gamers in a male-dominated virtual space and their agency in the face of pressure.

As a mainstream form of artistic expression in the digital age, games have a broad audience. Compared with books and films with aesthetic thresholds, games have higher acceptance and broader dissemination. It has the characteristics of widespread and high audience acceptance. It is an important way for a country to spread its culture to the world. By analyzing the development status of China’s game industry, this paper takes “Genshin Impact,” the most successful overseas cultural communication game in China, as the research object and discusses how “Genshin Impact” integrates Chinese culture into the game. And how “Genshin Impact” has successfully spread abroad, become popular with players worldwide, and promoted the spread of Chinese culture. Finally, the paper summarizes the full text and looks forward to the development of the Chinese game industry.

With the continuous innovation of media and the arrival of the new media era, the content production of sports news dissemination is becoming increasingly important. Compared to traditional media, the form of expression has changed. Indeed, the technology of new media has brought a series of advantages to the dissemination of sports news. But at the same time, the support of new media has also brought a large amount of false news to sports news, lacking authority and innovation. Excessive entertainment, the digital gap between the elderly and other issues require the media and the public to jointly complete the new health communication of sports. The paper involves the dissemination of sports news in the context of new media. The goal is to demonstrate that the dissemination of sports news has undergone a qualitative change with the development of new media. This is to analyze and explore the characteristics and differences of new media in sports news dissemination, discover the potential problems hidden in sports news dissemination under new media, and provide suggestions. By showcasing the optimization of sports news dissemination in the context of new media. This study emphasizes the prominent advantages and optimal dissemination effects of sports news in the context of new media.

Since ancient times, each era has had its own unique standard of beauty. The standards of beauty in modern society are very different from those in ancient times. In modern society, thin is beautiful, and women wear clothes to highlight their figures. This may not be a personal standard of beauty, but it has spread throughout society and is respected by many people. BM is an Italian clothing brand that goes by the full name Brandy Melville and is known for having only one size. BM style is a clothing style based on the clothes produced by this brand, which rose in the 1980s. Taking the BM style as an example, this paper will explore the origin, characteristics, popular reasons, and existing disputes of the BM style to demonstrate the aesthetic standards of today’s society. This kind of aesthetic standard first produces certain negative effects on the body. Women who don’t fit this criterion will get there in unhealthy ways. Secondly, it also has an impact on women’s psychology. If woman does not meet this standard, they will be discriminated against by the society, by man, even by other woman who fits that standard. These negative effects show how ridiculous this aesthetic is.

This article attempts to use Nietzsche’s perspective to elaborate on his criticism of the original sin and heaven concepts in Christianity. Here, the author will first elaborate on Nietzsche’s important tool for criticizing Christianity, which is the will to power. In Nietzsche’s works, the will to power is described as an irrational, natural, and inherent desire for expansion in all things in the world. It is a combination of Schopenhauer’s will to survive and the spirit of Bacchus. Next, the author will first clarify the essence of Christianity from Nietzsche’s perspective, and then divide the criticism into original sin criticism and heaven criticism, both of which ultimately lead to the weakening of one’s own spirit. The author will provide a partial explanation of how Christianity induces people to fall into weakness step by step, which will be divided into two parts: ticket theory and choice theory.

Historic and cultural districts reflect the cultural memory of a specific historical period, but they are also the physical space where real people live and move around, and therefore their conservation is an important part of urban development. This study takes the old district renovation project of Enning Road in Guangzhou as an example, describes the current situation after the renovation, discusses the problems, refers to successful cases of renovation at home and abroad, and proposes renovation measures from the perspective of visitors’ sense of experience. From the end of the 19th century to the present day, a series of renovation policies have revitalised Enning Road, and the transformation has gradually changed from large-scale demolition and construction to micro-renewal of the city. The development of Enning Road, as a commercial centre with a local historical character, has revealed a lack of renovation for the experience of tourists in terms of travel and safety, as the number of tourists attracted has increased year by year. This paper proposes zoning and beautification of shop decoration, enhanced traffic safety planning in the scenic area and the development of special tourist routes under the conditions of tourist demand.

As an essential member of the tangible cultural heritage, historic architectural heritage contains unique historical and social values. This paper describes the current state of conservation of historic buildings and the ways of conservation, revitalization and renewal by the Macao authorities, and draws on the Cathedral of the Merciful Jesus in Goa, India, and Coventry Cathedral in England, to provide suggestions for the conservation and restoration of the site of St. Paul’s College in Macao. St. Paul’s College is divided into three main parts: St. Paul’s Church, the Seminary, and the Fortress, for conservation, revitalization, and renewal. The current conservation and renewal measures of the site are still inadequate. By analyzing the conservation strategies and the current situation, St. Paul’s College needs the cooperation of the government and the public to value and improve the reuse value of the site and increase its visibility. At the same time, the use of rich restoration and renewal methods, combined with the current situation of society in the restoration and renewal of the site, can present valuable ideas.

The advancement of science and technology affects how people interact culturally. More and more works of art today have mysticism as their central theme. Mysticism has not disappeared from the public’s consciousness despite the fact that there are more and more materialists today. Religious activities grew more common as the Middle Ages emerged in the West, playing a significant role in history. The belief and culture of the East are also influenced by Eastern Buddhism, Islam, and other religions. Given that mysticism is the founding culture of humanity, several histories describe the development of religion, human civilization, and the majority of historical texts pertaining to mysticism. Through the analysis of both ancient and contemporary mystic art as well as historical documents, the author will examine the impact of mysticism on human art. Based on such information, this research has revealed that numerous ideologies and creative expressions from the mysticism of the past have impacted a lot of modern art. Both the surrealist works of the Remedies Varo and the spiritual abstract paintings of Hilma of Klint demonstrate the upper reaches of human civilisation. And many contemporary artists are drawn to the mysticism that has impacted contemporary literary works.

The late Ming Dynasty witnessed an art exchange between two distinct civilizations, the East and the West, which served as a microcosm of globalized art history in China. In the context of numerous Western religious paintings introduced to China by Jesuit missionaries during the late Ming Dynasty, whether Chinese artists who painted in ink at the time borrowed Western painting techniques in their paintings has become a subject of discussion among contemporary scholars. To further explain the integration triggered by this artistic exchange, the research analyses the attitudes of Ming society towards foreign painting. Furthermore, the study conducts the visual comparison methodology to identify the elements of Western painting that were incorporated into Chinese painting during this period, centering on the works of artist Wu Bin (1550-1643) and employing specific information as corroborative substantiation. The results of the study indicate that late Ming society did not exhibit overt animosity towards Western art and that Wu Bin’s paintings contain discernible Western painting inspirations. Yet, these factors did not impede the prevalence of indigenous artistic and aesthetic inclinations in his oeuvre.

Playbour, as a new type of digital labor, is commonly exploited and involves everyone using the Internet social platforms. The present study will mainly analyze how playbour is regulated by Platform capitalists based on Michel Foucault’s “Theory of Regulation”, and the regulation process will be presented in the early, middle, and mature stages of platform development. In the early stage, the platform is immature. In order to attract users, the platform will give them a high degree of sovereignty. In the middle stage, Platform capitalists gradually reclaim their sovereignty and the user becomes less autonomous, thus becoming a playbour. In the later stage, the playbour becomes an object of the platform and loses its sovereignty completely in the Cyberspace after being disciplined by the platform. Platform capitalists The purpose of disciplining the playbour is to increase the viscosity of users to the platform and to produce a constant stream of new cultural products for its profit. Through this analysis, this paper argues that such regulation not only exacerbates playbour’s exploitation, but also leads users towards commodity worship and deification of the Internet social media platform. The ideological and linguistic culture of the labor community will be hit hard by such an impact. This paper attempts to argue the seriousness of the problem through analysis.

With social and economic development, people are no longer just satisfied with food and clothing, and very many parents are focusing on the education of their offspring. This education boom has even led to numerous family anxieties. This paper analyzes the educational issues in two Indian films ‘Starting Line’ and ‘3 Idiots’, including the main causes of educational anxiety from these two films and the underlying problem of educational injustice. The author believes that the educational anxiety in ‘Starting Line’ is essentially the anxiety of the protagonist’s family as a middle-class family about their children’s future and the anxiety brought about by the social education involution atmosphere, while the anxiety in ‘3 Idiots’ mainly comes from family responsibilities the main character holds and the need to make a living, while both films reflect that the solidification of class monopoly is the root cause of educational injustice.

The article describes five different short films and their editing techniques. Film 1 focuses on appearance anxiety of young women caused by external influences. The authors use black and white filming and sound montage to add a humorous effect. Film 2 shows the shadow of desire through a transfer student who turns to the dark side and uses flashbacks and j-cuts to add depth and intrigue to the story. Film 3 tells the story of a college student who receives an “F” on her transcript and uses flashbacks and internal monologues to reveal the cause and effect of the story. Film 4 is about a little girl’s day in high school and uses long shots, jump cuts, montage, and empty scenes to tell a story of loneliness and the importance of facing life. Film 5 is a story about family affection and uses continuous editing and montage to create an immersive cinematic narrative.

The tone of suspense films is one of suspense, with a greater focus on breaking stereotypes in artistic production and viewing modes than in the genre in general. This paper focuses on the description and analysis of the short suspense film Symmetrical Composition in terms of both its presentation and its content. On this basis, it focuses on the prominent element of “dreams” in suspense films and analyses the deep subconscious and desires of human beings contained in dreams in depth. It also uses narrative theory to examine how suspense films can use the idea and mechanism of the dream world to construct more exciting suspense stories. On the other hand, it draws on cognitive construct theory to point out the cognitive difficulties of dream narratives in suspense films, and how techniques such as story lines, logical narratives and detailed cues can be used to make the films exciting to watch without confusing the audience. The paper concludes with a summary of the practical experience of suspense films on how dream narratives are presented and their reference value for academic research.

Since the founding of the country, China’s system of guaranteeing women’s employment has become increasingly sophisticated. However, from the application of China’s comprehensive two-child policy to the opening of the three-child policy to the current abolition of marriage restrictions on birth registration in some regions, marriage and childbirth have become increasingly important issues for women seeking employment. At the same time, the data survey shows that, in reality, women still receive discrimination and unequal treatment in employment due to marriage and childbirth. As women of childbearing age are responsible for both population reproduction and social reproduction, attention should be paid to how marriage and motherhood affect women’s employment. By analyzing various factors in women’s employment, such as enterprises, government, family members, and social opinion, this study focuses on the possible effects, such as experiencing workplace discrimination more frequently in marriage and childbirth, on women and proposes corresponding solutions. In conclusion, the focus of creating a female-friendly employment environment is not on “protection”, but on building a good and sound social welfare system that takes into account the clear demands of women’s development.

Today’s teenagers, as the new generation most susceptible to the influence of the internet, use their phones very frequently, and participating in the online world has become the main theme of their lives. Online platforms have become the trigger for adolescent psychological disorders. Secondly, teenagers may experience feelings of jealousy, comparison, and inferiority when using these media. However, research has also found that teenagers who love sports and life are less likely to suffer from digital depression, and they can face this series of negative emotions with an optimistic and positive attitude. Therefore, the author would like to know if there is a difference in the degree of harm suffered by extroverts and introverts when receiving negative reviews on social media, and its magnitude. Hoping that through this study, teenagers can learn how to alleviate negative emotions caused by the internet and reduce the risk of depression. The method used will be an experiment, and the author will imitate the method in the article Why Do Adolescents Receive Negative Feedback And Who Is Most At Risk?: using the modified NEO-FFI to focus on the basic features, language features, and interactive features of users’ published content, and infer whether their personality is extraversion or neuroobjectism in Big Five. The expected experimental result is that people with higher scores for extroversion generally have fewer negative emotions than those with higher scores for introversion, and the degree of difference between them will intensify over time.

As a traditional Chinese folk art that often appears during important festivals or commercial activities, the cultural value and influence of the “lion dance” is very far-reaching. In the past 20 years, with the rapid development of society, the protection and inheritance of traditional Chinese culture have become a top priority on the road to preserving historical memory, and the lion dance culture popular in southern China and Southeast Asia, like many other traditional Chinese cultures, is facing the challenge of how to continue passing on. By reviewing the materials, this study learned that there is a lion dance cultural hall in Wuzhou, Guangxi, which has a history of nearly 200 years - Bilin Tang, which has received the support of the Wuzhou Municipal Government to deliberately establish the first professional lion dance major in the Tengxian Secondary School. Out of a desire to gain a clearer understanding of the current status of the preservation and inheritance of this traditional Chinese culture, the author finally contacted Mr. Zhong Dao Ren, the current director of Bilin Tang, and with his support, the author went to Tengxian Secondary School to interview in person. The author communicated with Mr. Deng and the students of the lion dance troupe and obtained a lot of valuable information and materials. Meanwhile, the author conducted more in-depth research under the guidance of Professor Bradd Shore at Emory University, resulting in this paper. The inheritance of the lion dance culture encounters not only the problems of funding, government support, and motivation for an inheritance but also the problem of how to make the inheritance of traditional Chinese culture and the development of the trend of the times mutually integrate into the current social context. To avoid the extinction of traditional Chinese folk art like the Southern Lion culture, it is necessary to attract more attention and resonate the interest of young people in such culture. Only the organic integration of traditional culture with modern elements can be an effective means for the long-term survival of traditional Chinese culture.

During the Republican period in China, the Catholic Church gradually developed and grew in China and made attempts to localize itself in different fields, one of which was the promotion of localized Catholic icon painting in the field of art. Due to the problem of divergence between Chinese and Western cultures and styles, formalistic expressions of these paintings emerged. As a representative practice of Catholic painting in China, Beiping Fu Jen Catholic University, with Chinese painting style as its main focus and Western style as its auxiliary, consciously innovated the expression of Catholic icon painting in China, however, in the expression of content and selection of subject matter, excessive emphasis was placed on Chinese visual language to cater to the tastes of Chinese audiences, and as the edifying function of Catholic painting failed to be exercised to a certain extent. There is still a certain degree of formalism. The development of Catholic painting in China needs to find a balance between the spirit of doctrine and Chinese visual culture, integrate Catholic aesthetics into the Chinese painting tradition, and create a new form of painting language, rather than the migration and appropriation of visual symbols.

Guanyin, the Bodhisattva of Compassion, holds an esteemed and irreplaceable position within Mahayana Buddhism. The belief in Guanyin has flourished across various regions of China, becoming deeply entrenched in the religious and cultural fabric of the country. Throughout history, the image of Guanyin has undergone a significant transformation, evolving from a male representation to a revered female deity. This article aims to delve into the period spanning the Han Dynasty to the Song Dynasty, in order to unravel the origins of Guanyin’s gender and analyze the profound aesthetic implications associated with the shifts in Guanyin’s depiction over time. By scrutinizing the fusion and compromise of the Buddhist notion of equality from its Indian roots and its subsequent integration into Han China, alongside the prevalent Confucian belief in male superiority and female inferiority, the article seeks to illuminate the social and philosophical underpinnings behind the widespread acceptance of the female Guanyin during the Song Dynasty.