Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 3, 17 May 2023


Open Access | Article

A Comparative Study of Female Imagery in the Poetry of Emily Dickinson and Zhai Yongming

Erya Wang * 1
1 Beijing International Bilingual Academy, Yumin Street, Shunyi, Beijing, China

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 3, 882-887
Published 17 May 2023. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Erya Wang. A Comparative Study of Female Imagery in the Poetry of Emily Dickinson and Zhai Yongming. CHR (2023) Vol. 3: 882-887. DOI: 10.54254/2753-7064/3/2022866.

Abstract

Zhai Yongming and Emily Dickinson are two modern poets who are particularly concerned with women's issues. Both poets use a female perspective to look at themselves and the human world as a whole, even if in distinct ways. Previous academics have concentrated on the feminine imagery employed by Zhai Yongming and the feminine issues generated from Dickinson's natural imagery separately. This dissertation will investigate how Zhai Yongming’s, and Emily Dickinson's poetry reject or criticize patriarchal-centered culture through female imagery that associates with sexuality and animality, and explore how feminine consciousness traverses’ geography, time, and nation. This comparative study indicates that for Zhai Yongming, women have recognized their own particularity and are seeking to break free of their confines but suffer from problems. For Dickinson, women have been so undervalued and subjugated by society that their voices of opposition are weak. This study establishes the framework for future research on women's poetry, proposing suggestions for comparing Chinese and Western poets, and hoping that scholars might use the imagery of both poets to re-examine the challenges women confront in society today.

Keywords

Zhai Yongming, Emily Dickinson, Female Imagery, Female Poetry, Female Poets

References

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2. Showalter, E. (1988). Towards a Feminist Poetics. Twentieth-Century Literary Theory. Macmillan Education LTD.

3. Du, N. (2005.5). A Comparison of Female Imagery in Western Modernist Poetry in Poetic Texts in Resistant Reading. Journal of Lanzhou University, 33(3).

4. Qiu, X. (1986). Peter Jones, Selected Poems of the Imagists. Lijiang Publishing House.

5. Liu, B. (2012.3). Gender, Identity, Culture - On Gender Imagery in Dickinson’s Poetry. Journal of Tonghua Normal University, 22(3), 67–79.

6. Mei, Z. (2016). A Study of Zhai Yongming’s Feminist Poetry. Shanghai International Studies University, China.

7. Tang, J. (2017.5). On Three Types of Gender Manipulation in Contemporary Women’s Poetry. Sichuan International Studies University, China.

8. McNaughton, R. (1949). The Imagery of Emily Dickinson. University of Nebraska - Lincoln, USA.

9. Bennet, P. (1993). Critical Clitoridectomy: Female Sexual Imagery and Feminist Psychoanalytic Theory. Journal of Women in Culture & Society, 18(2), 235-260.

10. Dickinson, E. (1999). The Poems of Emily Dickinson: Reading Edition. Cambridge: Harvard U. Press.

11. Glover, M. (2017). I’m Ceded: Sexual, Social and Gender Role Rebellion in the Poems of Emily Dickinson. Articulāte, 10(2).

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13. Chen, S. (2013.6). The “Spider” Imagery in Whitman’s and Dickinson’s Poetry: Feminine Consciousness under Male Dominance. Journal of Anshun College, 15(3).

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the International Conference on Interdisciplinary Humanities and Communication Studies (ICIHCS 2022), Part 1
ISBN (Print)
978-1-915371-29-4
ISBN (Online)
978-1-915371-30-0
Published Date
17 May 2023
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/3/2022866
Copyright
17 May 2023
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated