Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 25, 03 January 2024


Open Access | Article

Nineteenth-Century Richard Wagner: Unconventional Female Roles and Emerging Feminist Discourse

Ziying Wang * 1
1 King's College London

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 25, 136-140
Published 03 January 2024. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Ziying Wang. Nineteenth-Century Richard Wagner: Unconventional Female Roles and Emerging Feminist Discourse. CHR (2024) Vol. 25: 136-140. DOI: 10.54254/2753-7064/25/20231904.

Abstract

Operas of the 19th century adhered to realism, often drawing inspiration from real-life situations. In the social context of the era, women were often relegated to positions of weakness and lacked societal status, rendering them subject to the scrutiny of male perspectives. However, Richard Wagner's operas distinguished themselves by endowing female characters with prominence and authority. This article seeks to investigate Wagner's effective empowerment of women, focusing on the plot and role analysis of Brünnhilde, the female character from "Die Walküre." Subsequently, a combination of document analysis and literature review are synthesized, showing the diverse perspectives of scholars who have examined Wagner's individualism and his portrayal of female characters in his operas. Ultimately, it is apparent that the formidable female figures in Wagner's operas boldly challenge prevailing social norms, embodying the essence of love and redemption. While scholars hold varying interpretations regarding Wagner's approach to feminism, it is irrefutable that these non-traditional female characters occupy central positions in his works, infused with profound emotions and at the core of dramatic storytelling.

Keywords

Feminist Study, Gender Dynamics, Richard Wagner, 19th-Century opera

References

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3. Parakilas, J. (1992). Political representation and the chorus in nineteenth-century opera. 19th-Century Music, 16(2), 181–202. https://doi.org/10.2307/746265

4. Salzman, E., & Desi, T. (2008). The new music theater: seeing the voice, hearing the body. Oxford University Press.

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7. Wagner, G. (2007). On the need to debate Richard Wagner in an open society: how to confront Wagner today beyond glorification and condemnation. In Richard Wagner for the new millennium: essays in music and culture (pp. 3-24). New York: Palgrave Macmillan US.

8. Wagner, R. (1995). Judaism in music (W. A. Ellis, Trans.). University of Nebraska Press (1850).

9. McManus, L. (2014). Feminist revolutionary music criticism and Wagner reception: the case of Louise Otto. 19th-Century Music, 37(3), 161-187.

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11. Rieger, E. (2011). Richard Wagner's Women. Boydell & Brewer Ltd.

12. Coleman, J. (2013). Review of: Eva Rieger, Richard Wagner's women, trans. Chris Walton (Boydell Press, 2011); and Laurence Dreyfus, Wagner and the Erotic Impulse (Harvard University Press, 2010), in Current Musicology, No. 93 (Fall. 2013), 125-36.

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the 2nd International Conference on Interdisciplinary Humanities and Communication Studies
ISBN (Print)
978-1-83558-253-4
ISBN (Online)
978-1-83558-254-1
Published Date
03 January 2024
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/25/20231904
Copyright
03 January 2024
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated