Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 17, 28 November 2023


Open Access | Article

An Analysis of the Influence of K-pop on the Development of Feminism in China

Hanlin Jin * 1
1 King's College London

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 17, 6-10
Published 28 November 2023. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Hanlin Jin. An Analysis of the Influence of K-pop on the Development of Feminism in China. CHR (2023) Vol. 17: 6-10. DOI: 10.54254/2753-7064/17/20230735.

Abstract

In China, in recent years, feminist content has been on the rise on social media platforms, and many female social media users have begun to recognize and support feminist views. In China, K-pop music and idol, which are also more widely known, have also influenced the perceptions and thoughts of many Internet users. This paper focuses on the influence of K-pop on Chinese social media users’ perceptions of feminism. The research methodology of post-subcultural and transcultural studies will help this paper study the changes in K-pop culture and feminist concepts. The conclusion of the study is that the behavior and speech of K-pop fans and the content of the songs in K-pop culture can influence the concepts and behaviors of Chinese Internet users and K-pop fans, and as a result, K-pop culture has contributed to the development of feminism in China.

Keywords

K-pop, feminism, idol, popular culture

References

1. Lewis, G. (2023, March 13). Europe is K-pop’s fastest growing market - report. TheTicketingBusiness News. https://www.theticketingbusiness.com/2023/03/13/europe-is-k-pops-fastest-growing-market-report/

2. Grinnell College. (2015). What is a Subculture? – Subcultures and Sociology. Grinnell.edu. https://haenfler.sites.grinnell.edu/subcultural-theory-and-theorists/what-is-a-subculture/

3. Oh, C. (2014). The Politics of the Dancing Body: Racialized and Gendered Femininity in Korean Pop. The Korean Wave, 53–81. https://doi.org/10.1057/9781137350282_4

4. Jonas, L. (2022). Crafted for the Male Gaze: Gender Discrimination in the K-Pop Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry Industry.

5. Lin, X., & Rudolf, R. (2017). Does K-pop Reinforce Gender Inequalities? Empirical Evidence from a New Data Set. Asian Women, 33(4), 27–54. https://doi.org/10.14431/aw.2017.12.33.4.27

6. Murphy, M. (2019). Introduction to “#MeToo Movement.” Journal of Feminist Family Therapy, 31(2-3), 63–65. https://doi.org/10.1080/08952833.2019.1637088

7. Garner, B. (2019, May 22). #KoreaToo: How the #MeToo Movement is Making an Impact in South Korea. Filmotomy. https://filmotomy.com/metoo-movement-in-south-korea/

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the International Conference on Global Politics and Socio-Humanities
ISBN (Print)
978-1-83558-167-4
ISBN (Online)
978-1-83558-168-1
Published Date
28 November 2023
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/17/20230735
Copyright
28 November 2023
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated