Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 15, 20 November 2023


Open Access | Article

The Violent Aesthetic Embodiment of the Charm of the Villains in the Films

Yifan Zhang * 1
1 Nankai University Affiliated High School

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 15, 18-24
Published 20 November 2023. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Yifan Zhang. The Violent Aesthetic Embodiment of the Charm of the Villains in the Films. CHR (2023) Vol. 15: 18-24. DOI: 10.54254/2753-7064/15/20230530.

Abstract

The aesthetics of violence are mainly in the sense that violence is presented in an aesthetic way, and poetic pictures and even imaginary shots are used to express the violence and violence of human nature. Viewers themselves are often amazed at the artistic expression and have no specific discomfort with the content. This paper mainly analyzes the three films from many aspects. The three films have different backgrounds and plots, and their commonalities are bright aesthetic expressions and rich lens language. This paper analyzes the aesthetic embodiment of the unique charm of the villain in the film from many angles, interprets the aesthetic language of the film by means of violence aesthetics, and studies it by means of examples. This paper finds that violence aesthetics is presented in an artistic way in the senses and a deeper understanding of the definition of violence aesthetics.

Keywords

violence aesthetics, lens language, aesthetic analysis, sensory stimulation

References

1. Qi, T. (2021) On the Application of Violence Aesthetics in Commercial Films - Taking Quentin Tino’s Works as an Example [J] west china broadcasting tv, vol. 42, no18, pp.103-105.

2. Su, L. (2023) On the Application of Japanese Cultural Elements in Hollywood Movies [J] Tianjin University of Technology Language and Culture College, vol217, pp.172-174.

3. Tong, L. & Yi, Z. (2020) Feminist expression in Kun-style violence aesthetics [J] Social science series 2, vol.8, pp.119-121.

4. Tong, L. & Yi, Z. (2020) Feminist expression in Kun-style violence aesthetics [J] Social science series 2, vol8, pp.122-123.

5. Yang, L. (2012) Research on the Art of Film Color Composition [D] Philosophy and Humanities in Chongqing University, vol01, pp.8-10.

6. Xin, X. (2001) Research on the Application of Color in Film Language [D] Full-text Database of Excellent Master’s Dissertations in China, 2001, pp.39-41.

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the International Conference on Global Politics and Socio-Humanities
ISBN (Print)
978-1-83558-119-3
ISBN (Online)
978-1-83558-120-9
Published Date
20 November 2023
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/15/20230530
Copyright
20 November 2023
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated