Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 13, 20 November 2023


Open Access | Article

The Absence of Color in the Film Adaptation of Eileen Chang’s Novels - Take “Crumbs of Ligumaloes - The First Incense Burnt”as a Case Study

Ma Xinjia * 1
1 University of Electronic Science and Technology of China

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 13, 79-83
Published 20 November 2023. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Ma Xinjia. The Absence of Color in the Film Adaptation of Eileen Chang’s Novels - Take “Crumbs of Ligumaloes - The First Incense Burnt”as a Case Study. CHR (2023) Vol. 13: 79-83. DOI: 10.54254/2753-7064/13/20230238.

Abstract

There are many picture elements in Eileen Chang’s novel that are suitable for filming, and her works have always enjoyed the title of “film on paper”. One of the most important elements is the use of color. Over the years, several directors have adapted Eileen Chang’s novels into film and television adaptations, but most of them have been controversial. As a hidden narrative method of film, color narration plays an extremely important auxiliary role in the overall presentation of the work. This paper will take the latest film adaptation of Eiling Chang’s novel, “Crumbs of Ligumaloes - the First Incense Burnt”directed by Ann Hui as an example, combining color narrative theory and film color theory to deal with the absence of color in film and television adaptations, and the strategy for film adaptations of great literature.

Keywords

Eileen Chang, “Crumbs of Ligumaloes - the First Incense Burnt”, color narration, film and television adaptation

References

1. Eileen Chang. Love in a Fallen City. Beijing October Arts and Literature Publishing House, 2019: 2-50.

2. Liu Yang. “Artistic Appeal of Cross-media Circulation: the Image Presentation of Eileen Chang’s Literary Resources From a Comparative Perspective.” New Films. 05(2021):94-102+1.

3. Wu Jin. “A Study of the Color Language in Eileen Chang’s Novels.” Journal of Yangzhou University(Humanities and Social Sciences Edition).03(1999): doi:10.19411/j.cnki.1007-7030.1999.03.010.

4. Jong Guk Kim. “The Style and Cultural Significance of Film Color White.” Journal of the Korea Entertainment Industry Association. 14.4(2020):187-198. doi:10.21184/jkeia.2020.6.14.4.187.

5. Richard Jean So. “Eileen Chang: Romancing Languages, Cultures and Genres.” The Journal of Asian Studies. 73.2(2014): 531-532. doi:10.1017/S0021911814000102.

6. Wu Qiao. “The Meaning of Color: the Color Narrative in the Film.” Movie Literature.05(2014):152-153.

7. Yang Can. “Incomplete Color : A Study of Eileen Chang’s Color Language.” Journal of Social Science of Hunan Normal University. 04(2008):113-115.

8. Peng Ke and Li Dongmei. “Writing Light and Shadow with Passionate Soul : a Study of the Pursuit of Authorship in Ann Hui’s Adaptation of Eileen Chang’s Works.” Journal of Guizhou University(Art). 35.01(2021):31-36. doi:10.15958/j.cnki.gdxbysb.2021.01.006.

9. Bu Yiwen. “The Resolution of “Desolation” : the Lack of Film and Television Adaptation of Eileen Chang’s Novels”Contemporary TV. 05(2018):79-85. doi:10.16531/j.cnki.1000-8977.2018.05.040.

10. Fu Jing. “Exploring the Trace of Color : A Study of the Imagistic Narration of Dress in Eileen Chang’s Novels.” Novel Review. S2(2009):70-72.

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the International Conference on Global Politics and Socio-Humanities
ISBN (Print)
978-1-83558-115-5
ISBN (Online)
978-1-83558-116-2
Published Date
20 November 2023
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/13/20230238
Copyright
20 November 2023
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated