Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 29, 19 April 2024


Open Access | Article

A Comparison of Music Aesthetics Thoughts Between Record of Music and Plato’s Republic

Yuxuan Jin * 1
1 Shandong University of Arts

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 29, 41-47
Published 19 April 2024. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Yuxuan Jin. A Comparison of Music Aesthetics Thoughts Between Record of Music and Plato’s Republic. CHR (2024) Vol. 29: 41-47. DOI: 10.54254/2753-7064/29/20230524.

Abstract

By comparing the Music thoughts contained in two classical music books, Record of Music (yue ji樂記) and Plato’s Republic, this paper analyzes the similarities and differences in their cognition of "the origin, essence, and function of music" due to their different social backgrounds and cultures. Both Record of Music and Plato’s Republic were born in the era of the alternation of the old and the new in the slave society. However, the slave society in the Spring and Autumn Period of China and the slave society in the democratic era of ancient Greece have different specific historical characteristics, and their different characteristics in economic development are bound to be reflected in ideology and culture. Thus, different cultures have developed different music.

Keywords

Plato’s Republic, Record of Music, Aesthetics of music, Musical thoughts

References

1. Zehou, L. (1981). Mei de li Cheng (The Course of Beauty). Cultural Relics Publishing House.

2. Wong, M. (1998). A Comparison between the Philosophies of Confucius and Plato as Applied to Music Education. Journal of Aesthetic Education, 32(3), 109–112. https://doi.org/10.2307/3333312

3. Lang, Y. (1985). Outline of the History of Chinese Aesthetics. Shanghai People's Publishing House.

4. Huang, M (2013). History of Chinese Music and Culture. Shanghai: China Renmin University Press.

5. Confucius C. Legge J. Chai C. & Chai W. (1967). Li chi: book of rites: an encyclopedia of ancient ceremonial usages religious creeds and social institutions. University Books.

6. Plato., Emlyn-Jones, C. J., & Preddy, W. (2013). Plato’s Republic. Harvard University Press.

7. Huang, H. (2012). Why Chinese people play Western classical music: Transcultural roots of music philosophy. International Journal of Music Education, 30,161-176. https://doi.org/10.1177/0255761411420955

8. Cook, S. (1995). “Yue Ji” -- Record of Music: Introduction, Translation, Notes, and Commentary. Asian Music, 26(2), 1–96. https://doi.org/10.2307/834434

9. Fa, Z. (2010). Chinese and Western aesthetics and cultural spirit.

10. Cai, Zhongde. (1990). Commentaries and Translations of Materials for History of Music Aesthetics in China. Beijing: Renmin Yinyue Chubanshe.

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the International Conference on Global Politics and Socio-Humanities
ISBN (Print)
978-1-83558-365-4
ISBN (Online)
978-1-83558-366-1
Published Date
19 April 2024
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/29/20230524
Copyright
19 April 2024
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated