Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 12, 20 November 2023


Open Access | Article

Exploring the New Aesthetic Significance of Chinese Film Art under the Influence of Digital Technology

Bei Liu * 1
1 Shandong University of Arts

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 12, 26-37
Published 20 November 2023. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Bei Liu. Exploring the New Aesthetic Significance of Chinese Film Art under the Influence of Digital Technology. CHR (2023) Vol. 12: 26-37. DOI: 10.54254/2753-7064/12/20230019.

Abstract

Film, rooted in technology, possesses unique aesthetic characteristics that are intertwined with technological advancements. Since the beginning of the new century, the integration of digital technology has facilitated a seamless transition of film art from production to distribution, ushering in a new era of digital film aesthetics. This paper focuses on investigating the relationship between digital technology and film art, clarifying the developmental origins of both, and using the degree of digital technology’s integration into film art as a starting point. By examining classic digital film texts, the paper explores the reshaping of various aspects of film production through the application of digital technology. Based on film aesthetic theories, this paper aims to deconstruct traditional film aesthetics through the lens of digital film, making meaningful attempts to establish the aesthetic framework for Chinese digital film art.

Keywords

digital technology, film art, aesthetic significance, film industrialization

References

1. Bazon, A. (2005). What is Cinema? (J. Cui, Trans.). Nanjing: Jiangsu Education Publishing House.

2. Allen, R. C., & Gomery, D. (1997). Film History: Theory and Practice (X. Li, Trans.). China Film Press.

3. Kraus, S. (2006). The Nature of Film: Redemption in the Material World (M. Shao, Trans.). Nanjing: Jiangsu Education Publishing House.

4. Yang, B. (2020). Delicate Technology, Courageous Exploration: The Development and Exhibition of Digital Technology in the Film Industry. Art Education, (10), 106-117.

5. Liang, G. (2005). Film Editing Techniques and the Spatiotemporal Construction of Film. Journal of Beijing Film Academy, (05), 12-21+111.

6. Chen, L. (2020). The Contemporary Construction of Aesthetic of Digital Technology Films (Doctoral dissertation, Nanjing Arts Institute). Retrieved from DOI: 10.27250/d.cnki.gnjyc.2020.000006.

7. Yin, H. (2000, July 1). The Challenges of Chinese Cinema in the Face of Digitization [Newspaper Article]. People’s Daily, p. 5.

8. Fu, S. (2021). The “Global Localization” Study of Chinese Soft Science Fiction Films in the New Century. Science and Technology Broadcasting, 13(08), 94-96+136. Retrieved from DOI: 10.16607/j.cnki.1674-6708.2021.08.034.

9. Chen, X., & Zhou, K. (2023). 20 Years of Chinese Blockbuster Films: Genre Expansion, Cultural Integration, and Reflections on Industrial Aesthetics. Journal of Shanghai Normal University (Philosophy & Social Sciences Edition), 52(01), 120-127. Retrieved from DOI: 10.13852/J.CNKI.JSHNU.2023.01.011.

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the International Conference on Global Politics and Socio-Humanities (ICGPSH 2023)
ISBN (Print)
978-1-83558-113-1
ISBN (Online)
978-1-83558-114-8
Published Date
20 November 2023
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/12/20230019
Copyright
20 November 2023
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated