Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 16, 28 November 2023


Open Access | Article

The Use of Colour in Illustration

Jiaqi Li * 1
1 Zhangqiu Bilingual School

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 16, 6-11
Published 28 November 2023. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Jiaqi Li. The Use of Colour in Illustration. CHR (2023) Vol. 16: 6-11. DOI: 10.54254/2753-7064/16/20230021.

Abstract

The influence of color on illustration is significant. For different color uses, it can make the picture present a different artistic performance, which shows the importance of color. Using color well can bring a more impactful effect to the illustration, more layered language, and the audience can indirectly feel the author’s thoughts and emotions through color. Therefore, this thesis focuses on interpreting the techniques of using color in illustration works by analyzing the use of color in strongly stylized illustration works, and enhancing the understanding of them through some theoretical knowledge. It includes an explanation of the basic definition and properties of illustration, a detailed study of the expression of color in illustration, the scope of application and development trends. The conclusion obtained from this thesis is that the saturation of color, brightness, shades of color, and different combinations can create a different feeling to the illustration. This gives the viewer a different visual experience and conveys a different message. Nowadays, more and more illustrators like to use color to enhance the style of their images, and they become more adept at using color to attract the viewer’s attention.

Keywords

illustration, use of colour, emotional expression, perceptual impact, colour theory

References

1. Wang Fei. The visual language quality of illustration art in the information age [J]. Times Literature (Bimonthly), 2009 (02): 140-142.

2. Reijin Harada: A Little Color Psychology Every Day 2009.

3. Pinterest, 2023, Universal Colours - How Universal Are They Really? [online] Available at: https://www.pinterest.com/pin/505458758182259901/ [Assessed 18 March 2023].

4. Wallpaper Cave,2023, Chef’s Nap[online] Available at: https://wallpapercave.com/w/uwp2714889 [Assessed 18 March 2023].

5. Baidu,2023, Clinn Artwork[online] Available at: http://mms0.baidu.com/it/u=949200413,922794414&fm=253&app=138&f=JPEG&fmt=auto&q=75?w=500&h=667 [Assessed 18 March 2023].

6. Xu Lu. On colour matching in illustration [J]. China Ethnic Expo, 2017(7):3.

7. XinLang,2023, Jasmyn Arnold’s painting of a young girl [online] Available at: https://k.sina.cn/article_1081167004_p40714c9c02700xxfa.html [Assessed 18 March 2023].

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the International Conference on Global Politics and Socio-Humanities
ISBN (Print)
978-1-83558-165-0
ISBN (Online)
978-1-83558-166-7
Published Date
28 November 2023
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/16/20230021
Copyright
28 November 2023
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated