Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 6, 14 September 2023


Open Access | Article

Representing China in the British Museum: Do Museums Perpetuate Historical Biases?

Hongsuli Zhang * 1
1 Suzhou Foreign Language School

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 6, 1-7
Published 14 September 2023. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Hongsuli Zhang. Representing China in the British Museum: Do Museums Perpetuate Historical Biases?. CHR (2023) Vol. 6: 1-7. DOI: 10.54254/2753-7064/6/20230004.

Abstract

Museums have never been neutral. Public museums and exhibitions that originated in colonial times are accused of passing on biases that feature Euro-centric interpretations of history. This paper investigates the nature of bias and the history of museums and their biases, and then focuses on the representation of China in the British Museum as an elaborate case study. The paper argues that from the British Museum’s virtual collections and public resources, the descriptive text and collection highlights in the China galleries reflect implicit and biased historical perspectives of China in the UK, exhibiting a contrast between the British appreciation of exotic Chinese art and contempt towards China’s social status arising from colonial trade. This paper provides a specific statement and analysis of western biases for colonial discussions and could contribute to decolonization actions taken in museums.

Keywords

the British Museum, Chinese artifact, cultural bias, museum, colonial times

References

1. Brenham Heritage Museum. “Museums Have Never Been Neutral, but They Should Be.” Brenham Heritage Museum, 27 Oct. 2017, www.brenhamheritagemuseum.org/museums-never-neutral.

2. Mauriès, Patrick. Cabinets of Curiosities. Compact, Thames and Hudson, 2019.

3. Mitchell, Timothy. “The World as Exhibition.” Comparative Studies in Society and History, vol. 31, no. 2, 1989, pp. 217-236.

4. Neal, Kathy. “History.” The British Museum, www.britishmuseum.org/about-us/british-museum-story/history. Accessed 28 Sept. 2022.

5. Neal, Kathy. “Collecting Histories.” The British Museum, www.britishmuseum.org/about-us/british-museum-story/collecting-histories. Accessed 28 Sept. 2022.

6. Pagani, Catherine. “Chinese material cultural and British perceptions of China in the mid- nineteenth century”, Colonialism and the Object: Empire, Material Culture and the Museum. Routledge, London;, 1998.

7. Clunas, Craig. Chinese export art and design. Victoria & Albert Museum, London;1987.

8. Varutti, Mazira. “Representing and ‘Consuming’ the Chinese Other at the British Museum”, National museums in a global world. NaMu III; Department of culture studies and oriental languages; University of Oslo; Norway; 19-21 November 2007.

9. Clunas, Craig. Art in China. Oxford University Press, New York; Oxford, 1997.

10. Jones, Charlie. “China.” The British Museum, www.britishmuseum.org/collection/china. Accessed 28 Sept. 2022.

11. Brooks, Ali. “Chinese Ceramics.” The British Museum, www.britishmuseum.org/collection/galleries/chinese-ceramics. Accessed 28 Sept. 2022.

12. Brooks, Ali. “Chinese Jade.” The British Museum, www.britishmuseum.org/collection/galleries/chinese-jade. Accessed 28 Sept. 2022.

13. Jones, Charlie. “China and South Asia.” The British Museum, www.britishmuseum.org/collection/galleries/china-and-south-asia. Accessed 28 Sept. 2022.

14. Grasseni, Cristina. Skilled Visions: Between Apprenticeship and Standards. Edited by Cristina Grasseni. vol. 6.;6, Berghahn Books, New York, 2010;2007.

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the International Conference on Social Psychology and Humanity Studies
ISBN (Print)
978-1-83558-005-9
ISBN (Online)
978-1-83558-006-6
Published Date
14 September 2023
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/6/20230004
Copyright
14 September 2023
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated