Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 21, 07 December 2023


Open Access | Article

Chastity or Debauchery: Violetta's Portrayal in Verdi's La Traviata

Jiaran Zhao * 1
1 Shanghai Conservatory of Music

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 21, 27-32
Published 07 December 2023. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Jiaran Zhao. Chastity or Debauchery: Violetta's Portrayal in Verdi's La Traviata. CHR (2023) Vol. 21: 27-32. DOI: 10.54254/2753-7064/21/20231407.

Abstract

This paper investigates Violetta, the female protagonist of Verdi's La Traviata, from a modern standpoint, extrapolating from the La Traviata reception to Violetta's portrayal in the text. Violetta Valery possesses qualities of both chastity and debauchery. In weighing in the two directions, Violetta's extravagance and resistance are greatly diminished to move closer to popular morality. Through a series of textual analyses and reception history investigations, this paper will incorporate a gender-related perspective to deconstruct the core of La Traviata's story in the context of contemporary values. In addition, the discussion on Violetta's image provides inspiration for examining the inner and outer space of the character itself. Considering the results, both the conception of the La Traviata story and the characterisation of Violetta are re-creations of the objectification of prostitutes in a patriarchal society. Multiple factors are involved and influence the transformation of Violetta's characterisation. It is also from the heights of modernity that these factors are able to be structured in a socialised and gendered context. Despite having the potential to become Europe's nineteenth-century Medea, Violetta Valery remains inevitably weakened in romanticised narratives and descriptions into a one-dimensional individual who combines both the stereotypes of chastity and debauchery.

Keywords

characterisation, La Traviata, objectification

References

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Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the 2nd International Conference on Interdisciplinary Humanities and Communication Studies
ISBN (Print)
978-1-83558-185-8
ISBN (Online)
978-1-83558-186-5
Published Date
07 December 2023
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/21/20231407
Copyright
07 December 2023
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated