Communications in Humanities Research
- The Open Access Proceedings Series for Conferences
Vol. 15, 20 November 2023
* Author to whom correspondence should be addressed.
In recent years, a type of clothing form for both men and women, which is called genderless clothing, has become popular. This concept has appeared more and more frequently in people’s eyes and become a global trend. The popularity of genderless fashion is not just a style of dress, it is accompanied by a variety of social concepts and progress. This study reviews the development of genderless fashion and analyzes some of the core reasons why it has become a global trend, exploring the development of social attitudes that fashion reflects. It is mainly related to four factors: Generation Z’s need for expression, non-binary gender identity, the awakening of feminist consciousness, and brand-new consumer demand. These findings help people understand the connection between fashion trends and social values, the spiritual needs of contemporary people and also provide apparel developers with a more comprehensive perspective to further recognize the core needs of consumers.
gender, unisex, fashion, feminism
1. Russell, A. (2020) The History of Androgynous Fashion up to Contemporary Times. Retrieved from www.fibre2fashion.com/industry-article/8750/the-history-of-androgynous-fashion-up-to-contemporary-times.
2. Dai, H.n., et al.( 2022) Unisex Style: The History, Current Situation and Future. Atlantis Press.
3. Rubin, E. (2020) In-Depth Guide: Un-Gendered Fashion and Unisex Clothing Brands. The Modest Man. Retrieved from www.themodestman.com/unisex-clothing/#Modern_Origins_of_Unisex_Clothing. Accessed 26 July 2023.
4. Drucker, P. (2023) Fashion and the Fleshy Body (in a White Jumpsuit): David Cassidy as Unsung Nonbinary Style Icon. ZoneModa Journal, 13, 95–112.
5. Kim, H.J., et al. (2022) Analyzing Genderless Fashion Trends of Consumers’ Perceptions on Social Media: Using Unstructured Big Data Analysis through Latent Dirichlet Allocation-Based Topic Modeling. Fashion and Textiles, 9, 1, 5.
6. Flaccavento, A. (2022) Unisex, Genderless: Let the Debate Ensue. ZoneModa Journal, 12, 23–28.
7. Bardey, A., et al. (2020) Exploring the Third Gender in Fashion: From Consumers’ Behavior to Designers’ Approach towards Unisex Clothing. Fashion Practice, 12, 1–19.
8. Saha, I., et al. (2021) Androgynous Fashion from the Concept to Consumers: An Empirical Study. Design for Tomorrow, 1, 727–737.
9. Paoletti, J.B. (2015) Sex and Unisex: Fashion, Feminism, and the Sexual Revolution. Indiana University Press.
10. Dikkar, C. (2021) Unisex Clothing, A Sustain Ale Way of Self Expression. International Journal of Textile and Fashion Technology, 11, 9-18.
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Authors who publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See Open Access Instruction).