Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 29, 19 April 2024


Open Access | Article

A Review on Musical Exoticism the History of Scholarship and Extension of Concept

Qi Shi * 1
1 Central Conservatory of Music

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 29, 113-117
Published 19 April 2024. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Qi Shi. A Review on Musical Exoticism the History of Scholarship and Extension of Concept. CHR (2024) Vol. 29: 113-117. DOI: 10.54254/2753-7064/29/20230572.

Abstract

Musical Exoticism has emerged as a significant concept in musicology. The previous research on it has evolved from a narrow focus on foreign musical elements to a much broader view of full-context-exoticism practices. This paper explores this historical development of the scholarship and its implications for interpreting Western music. By examining the transformation of Music Exoticism, the researcher can gain insights in how it has shaped our understanding of Western musical tradition.

Keywords

Exoticism, Orientalism, Musical Devices, Cultural Critique

References

1. Locke, R. P. (2012). On exoticism, western art music, and the words we use. Archiv für Musikwissenschaft, 318-328.

2. Zon, B. (2011). Ralph Locke, Musical Exoticism: Images and Reflections (2009). Journal of the Society for Musicology in Ireland, 33-38. https://doi.org/10.35561/JSMI07114.

3. Kopp, D. (2002). Chromatic transformations in nineteenth-century music. Cambridge University Press.

4. Lacombe, H. (1999). The writing of exoticism in the libretti of the Opéra-Comique, 1825–1862. Cambridge Opera Journal, 11(2), 135-158.

5. Brinner, B. (2014). Rachel Beckles Willson, Orientalism and Musical Mission: Palestine and the West (Cambridge: Cambridge University Press, 2013), ISBN: 978-1-107-03656-7 (hb). Twentieth-Century Music, 11(2), 301-307.

6. Edward, S. (2003). Orientalism: Western conceptions of the Orient. Penguin Books Limited.

7. Scherer, K. R., & Coutinho, E. (2013). How music creates emotion: a multifactorial process approach. The emotional power of music: Multidisciplinary perspectives on musical arousal, expression, and social control, 121-145.

8. Moosavinia, S. R., Niazi, N., & Ghaforian, A. (2011). Edward Said's Orientalism and the Study of the Self and the Other in Orwell's Burmese Days. Studies in Literature and Language, 2(1), 103..

9. Clark, D. J., & Nilssen, T. (2019). Beating the Matthew effect: head starts and catching up in a dynamic all-pay auction. Available at SSRN 3155280.

10. Irving, D. R. (2010). The exotic in Western music. Early Music, Volume 38, Issue 2, May 2010, Pages 287–290, https://doi.org/10.1093/em/caq017.

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the International Conference on Global Politics and Socio-Humanities
ISBN (Print)
978-1-83558-365-4
ISBN (Online)
978-1-83558-366-1
Published Date
19 April 2024
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/29/20230572
Copyright
19 April 2024
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated