Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 28, 19 April 2024


Open Access | Article

The Rise of Female-led Narratives in Decentralized Social Platforms----Explore the Power of Women's Voices in Decentralized Social Platforms

Jiaye Wang * 1
1 University of Leeds

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 28, 127-132
Published 19 April 2024. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Jiaye Wang. The Rise of Female-led Narratives in Decentralized Social Platforms----Explore the Power of Women's Voices in Decentralized Social Platforms. CHR (2024) Vol. 28: 127-132. DOI: 10.54254/2753-7064/28/20230191.

Abstract

This paper investigates the reason for the change of the female narrative right in the transformation between centralized and decentralized social platforms. Through an analysis of the marginalization of women's voices within centralized media and an exploration of the dynamics behind narrative empowerment on decentralized platforms, this research unveils the intricate dynamics shaping the female discourse. The online debate of "whether the high-speed rail should sell sanitary napkins" illustrates the power of online voices and describes the dilemmas women face in today's decentralized online space. This paper argues that the empowerment of women by decentralized platforms enables them to obtain a change in narrative power. At the same time, the characteristics of the decentralized platform also give space for the survival of negative phenomena such as feminist stigma. Ultimately, this paper explores and redefines the understanding of the interplay between digital platforms, narrative authority, and gender dynamics in the web 3.0 era and also points out the new challenges faced by women's narrative in the context of web 3.0.

Keywords

Social Media, Decentralized, Feminism, Gender Research, Chinese Society

References

1. Abbing, R. R., Diehm, C., & Warreth, S. (2023). Decentralised social media. Internet Policy Review, 12(1). https://policyreview.info/glossary/decentralised-social-media

2. Mao, C. (2020). Feminist activism via social media in China. Asian Journal of Women’s Studies, 26(2), 245–258. https://doi.org/10.1080/12259276.2020.1767844

3. Roberti, G. (2022). Female influencers: Analyzing the social media representation of female subjectivity in Italy. Frontiers in Sociology, 7. https://doi.org/10.3389/fsoc.2022.1024043

4. Brady, A.-M. (2006). Guiding Hand: The Role of the CCP Central Propaganda Department in the Current Era. Westminster Papers in Communication and Culture, 3(1), 58. https://doi.org/10.16997/wpcc.15

5. Han, X. (2018). Searching for an online space for feminism? The Chinese feminist group Gender Watch Women’s Voice and its changing approaches to online misogyny. Feminist Media Studies, 18(4), 734–749. https://doi.org/10.1080/14680777.2018.1447430

6. Housni, H., Maliki, S., & Biad, T. (2018, September 27). FROM EL BOUAZIZI TO ISIS: PAST SEEDS AND PRESENT - ProQuest. Www.proquest.com.

7. Salam, E. A. A. (2015). The Arab spring: Its origins, evolution and consequences… four years on. Intellectual Discourse, 23(1).

8. Al-Rawi, A. K. (2014). The Arab Spring and Online Protests in Iraq. International Journal of Communication (19328036), 8, 916–942. https://web.s.ebscohost.com/ehost/detail/detail?vid=1&sid=53381fd4-e115-4be6-9242-1bafb8384cbc%40redis&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=97253160&db=ufh

9. Huang, Y. (2016). War on women: interlocking conflicts withinThe Vagina Monologuesin China. Asian Journal of Communication, 26(5), 466–484. https://doi.org/10.1080/01292986.2016.1202988

10. Yang, Y. (2021). When positive energy meets satirical feminist backfire: Hashtag activism during the COVID-19 outbreak in China. Global Media and China, 7(1), 205943642110213. https://doi.org/10.1177/20594364211021316

11. Cade Diehm. (2020, July 16). This is Fine: Optimism & Emergency in the P2P Network - A New Design Congress Essay. Newdesigncongress.org. https://newdesigncongress.org/en/pub/this-is-fine

12. Baer, H. (2016). Redoing feminism: digital activism, body politics, and neoliberalism. Feminist Media Studies, 16(1), 17–34. https://doi.org/10.1080/14680777.2015.1093070

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Authors who publish this series agree to the following terms:

1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this series.

2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this series.

3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See Open Access Instruction).

Volume Title
Proceedings of the International Conference on Global Politics and Socio-Humanities
ISBN (Print)
978-1-83558-363-0
ISBN (Online)
978-1-83558-364-7
Published Date
19 April 2024
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/28/20230191
Copyright
19 April 2024
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated