Communications in Humanities Research
- The Open Access Proceedings Series for Conferences
Communications in Humanities Research
Vol. 13, 20 November 2023
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The Sociality of Tragic Fate of Marginal Characters from a Masculinist Perspective - An Example from the Film Mr. Tree
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Abstract
The protagonist of this film is Mr.Tree, an over-aged youth, unemployed and mentally ill, who lives at the bottom of Chinese rural society. Through the subjective perspective of him, a marginal character in the society, the film reflects on and crises the social problems faced in the process of development and transformation of contemporary society under the domination of the patriarchal system, and this paper will discuss how this process is based on the dual identities of ‘grassroots’ and ‘male’. This paper will discuss how this process has caused irreparable damage to the fate of the marginalized characters represented by Mr.Tree, who is both ‘grassroots’ and ‘male’, as well as the inevitable social factors for this damage to occur, so as to analyse the plight of the underclass under the domination of the patriarchal system from a masculine point of view. The male survival dilemma under the domination of patriarchy is analyzed from a masculine perspective.
Keywords
grassroots, patriarchy, social critique
References
1. Fan Yongkang The Bottom Narration and Critical consciousness of Hello, Mr. Tree [J]. Journal of Qujing Normal University, 2015, 34 (04): 86-89.
2. Shi Haowei. Aphasia in the Context of Social Transformation: An Interpretation of the Mad Image in the Film "Hello! Mr. Tree" [J]. Audiovisual, 2021, (07): 65-66.
3. Cui Cen. The Bottom Narrative and Social Value of Chinese Language Movies from an Ethical Perspective [J]. Southeast Communication, 2022, (12): 106-110.
4. Sun Yizhuo Hello! Mr. Tree: "a concern" of country movies [J]. New Documents, 2021, (28): 88-92.
5. Guan Zheng. Metalanguage conflict and confusion of individual identity in image communication -- try to analyze the image of "Mr. Tree" in HELLO! Mr. Tree with Semiotics [J]. Drama House, 2018, (06): 79-80.
6. Meng Lihua, Zhang Guojun. Classic work on black humor "Hello! Mr. Tree" [J]. Film Literature, 2013, (21): 97-98.
7. Zhou Mingyu. Psychoanalytic Interpretation of the Film "Mr. Hello Tree" [J]. Film Review, 2014, (02): 21-23.
8. Yuan Wanqing The Psychological Narrative Construction of "Hello! Mr. Tree" [J]. Film Literature, 2017, (05): 105-107.
Data Availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
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- Volume Title
- Proceedings of the International Conference on Global Politics and Socio-Humanities
- ISBN (Print)
- 978-1-83558-115-5
- ISBN (Online)
- 978-1-83558-116-2
- Published Date
- 20 November 2023
- Series
- Communications in Humanities Research
- ISSN (Print)
- 2753-7064
- ISSN (Online)
- 2753-7072
- DOI
- 10.54254/2753-7064/13/20230231
- Copyright
- 20 November 2023
- Open Access
- This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited