Communications in Humanities Research
- The Open Access Proceedings Series for Conferences
Communications in Humanities Research
Vol. 16, 28 November 2023
Open
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Analysis of Lens Aesthetics and New Development in Modern Chinese Art Films
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Abstract
As the first Tibetan director in China and also a writer and screenwriter, Wan Ma Caidan has created and produced many excellent films about Tibetan culture and beliefs. His films have largely filled the gap in Tibetan culture in the Chinese film industry, and have also given the Chinese film industry, which mainly focuses on Han Chinese stories, a more diverse and rich ethnic identity. But at the same time, what Wan Ma Cai Dan’s movies tell also breaks through the limitations of ethnicity and region. This article analyzes the film visuals of mainland director Wan Ma Caidan and studies how their composition and color are combined with poetic and freehand brushwork in modern Chinese art films. The final conclusion is that the differences in audio-visual language expression and lens aesthetics in films of different ethnic cultures are influenced by ethnic cultures and living environments. And in the context of the prevalence of new media, explore the new development of traditional art films in China.
Keywords
art film, audio-visual language, lens aesthetics, Wanma Caidan, new development of art film
References
1. Li Rui. (2018). The contradiction between Tibetan civilization and modern civilization——Take Wanma Caidan’s “Old Dog” as an example. Cultural and Educational Materials (34), 144-146+166. doi:CNKI:SUN: WJZZ.0.2018-34-047.
2. Zhang Shiyi. (2023). The New Development of Tibetan Films from the Perspective of Acceptance Aesthetics——Taking Wanma Caidan Films as an Example. New Films and Dramas (01), 149-156. doi:CNKI:SUN:YJXZ.0.2023 -01-019.
3. Han Qiuting. (2021). Film text analysis and symbol decoding from the perspective of women——Taking the movie “Balloon” as an example. Drama House (16), 162-163. doi:CNKI:SUN:XJZT.0.2021- 16-077.
4. Ren Hongxuan. (2022). Poetry and Documentary: The Return of Art Film (1979—1984). Film Literature (3), 41-43.
5. Ding Yaping, & Wang Ting. (2020). The dilemma and choice faced by the development of Chinese art films. National Art Research, 33(1), 10.
Data Availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
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- Volume Title
- Proceedings of the International Conference on Global Politics and Socio-Humanities
- ISBN (Print)
- 978-1-83558-165-0
- ISBN (Online)
- 978-1-83558-166-7
- Published Date
- 28 November 2023
- Series
- Communications in Humanities Research
- ISSN (Print)
- 2753-7064
- ISSN (Online)
- 2753-7072
- DOI
- 10.54254/2753-7064/16/20230497
- Copyright
- 28 November 2023
- Open Access
- This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited