Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 24, 03 January 2024


Open Access | Article

The Impact of Social Media on Propaganda of Peking Opera

Yueqi Li * 1
1 Beijing National Day School

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 24, 87-92
Published 03 January 2024. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Yueqi Li. The Impact of Social Media on Propaganda of Peking Opera. CHR (2024) Vol. 24: 87-92. DOI: 10.54254/2753-7064/24/20231506.

Abstract

Peking Opera, as one of the most precious cultures in China, has been inherited for hundreds of years and used to be an important form of entertainment, but it has declined now. With the development of technology, social media become an indispensable tool in people's lives. The researcher wants to focus on both the positive and negative impact of social media on the propaganda of Peking Opera. The research is conducted through the insight of the relationship between social media and Peking Opera, the influence, and solutions based on existing data and documents. It can be seen that Social Media promotes the spreading of Peking Opera to some extent: it updates Peking Opera's propagating ways to become more interesting and attractive; it changes the performing form to a more acceptable one; It provides a broader online communicating platform for artists. Nevertheless, social media changes people's psychological expectations of entertainment and leads to boredom with art easily. The effective way of helping Peking Opera become popular again is by combining it with modern online elements, using multimedia for education, and changing its performing form with respect to originality.

Keywords

Peking Opera, Social media, influence, solution

References

1. Mackerras, C. (1994). Peking Opera before the Twentieth Century. Comparative Drama, 28(1), 19–42. https://doi.org/10.1353/cdr.1994.0001

2. Sundberg, J., Lindestad, P. A., & Scherer, R. (2012). Acoustical Study of Classical Peking Opera Singing. Journal of Voice, 26(2), 137-143. doi:10.1016/j.jvoice.2011.01.001.

3. Cai, X.M., et al. (2023) A Study on Online Game Genshin Impact and the Dissemination of Chinese Culture. January 1st, pp. 460–470, https://doi.org/10.1007/978-981-99-2449-3_40.

4. Liu, Y. (2018). The Study on the Communication Effect of Chinese Culture on International Social Media With the Example of Peking Opera on YouTube (pp. 36–38) [Dissertation Shanghai International Studies University].

5. Ruan J.S. (2022). Analysis of the reasons for the successful dissemination of the movie "Farewell My Concubine". Masterpieces Review: Comment Version (midmonth)(2), 3.

6. Silverberg, A. (2012). A Brief Introduction to Beijing Opera. Association for Asian Studies. https://www.asianstudies.org/publications/eaa/archives/a-brief-introduction-to-beijing-opera/

7. He, M. (2023). The Implantation and Network Dissemination of Chinese Traditional Opera in Game [Dissertation Shanghai Conservatory of Music].

8. Lyu W.B. (2020) Empowerment, Transboundary, and Diversity: Three Innovative Concepts of Beijing Opera Communication in the Internet Era. Introduction to News Research, 11 (13), 3.

9. Sundberg, J., Gu, L., Huang, Q., & Huang, P. (2012). Acoustical Study of Classical Peking Opera Singing. Journal of Voice, 26(2), 137–143. https://doi.org/10.1016/j.jvoice.2011.01.001

10. Kang, X., Chen, W., & Kang, J. (2019). Art in the Age of Social Media: Interaction Behavior Analysis of Instagram Art Accounts. Informatics, 6(4), 52. https://doi.org/10.3390/informatics6040052

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Authors who publish this series agree to the following terms:

1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this series.

2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this series.

3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See Open Access Instruction).

Volume Title
Proceedings of the 2nd International Conference on Interdisciplinary Humanities and Communication Studies
ISBN (Print)
978-1-83558-251-0
ISBN (Online)
978-1-83558-252-7
Published Date
03 January 2024
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/24/20231506
Copyright
03 January 2024
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated