Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 20, 07 December 2023


Open Access | Article

Aesthetics of Chinese Neorealism Film -- A Case Study of Xiaoshuai’s The Days

Junwen Lyu * 1
1 University of London

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 20, 112-117
Published 07 December 2023. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Junwen Lyu. Aesthetics of Chinese Neorealism Film -- A Case Study of Xiaoshuai’s The Days. CHR (2023) Vol. 20: 112-117. DOI: 10.54254/2753-7064/20/20231302.

Abstract

This study examines the field of Chinese neorealism through the lens of acclaimed director Wang Xiaoshuai. Through an in-depth examination of Wang Xiaoshuai’s filmography, the significant influence of neorealism on the development of Chinese cinema will be teased out. The article concentrates on Wang Xiaoshuai’s works The Days and seeks to elucidate the distinctive style traits and artistic techniques he used to create his works. Also, the study examines how Wang Xiaoshuai depicts reality and investigates in depth the complex relationship between individuals and society depicted in his films. Through the analysis of themes and visual styles in Wang Xiaoshuai’s neorealist works, this study intends to disclose the characteristics of sixth-generation filmmakers who reinterpret the realist tradition. This helps us better comprehend the artistic portrayal of individual lives by Chinese filmmakers during the period of accelerated social change in the Chinese film industry during the late 1990s.

Keywords

Chinese neorealism, Wang Xiaoshuai, six-generation director, The Days

References

1. Sheng, Y.(2006). Realistic Film Aesthetics.Fujian Forum: Human Social Scientific Edition, 3, 10-15.

2. Andre, B. (1946). De Sica: Metteur-en-scène. Film Theory and Criticism, 134–143.

3. Fleming, D. (2014). Deleuze, the ‘(Si)neo-realist’ Break and the Emergence of Chinese Any-now(here)-spaces. Deleuze Studies, 8(4), 509–541.

4. Pollacchi, E. (2014). Spaces and Bodies: the Legacy of Italian Cinema in Contemporary Chinese Film-making. Journal of Italian Cinema & Media Studies, 2(1), 7–21.

5. Wang, X. (2019). China’s “New Wave Cinema”: A Reflection of the Sixth-Generation Auteurs and Their Productions. Retrieved from https://core.ac.uk/download/pdf/275552224.pdf.

6. Kim, J. (2008). An Essay on the Movie of Wang Xiaoshuai : Focus on the Marginal Configuration and Awareness. The Journal of Study on Language and Culture of Korea and China, 15, 415-438.

7. Liu, R., Jiang, X. (2012). Ashore Film Style Directed by Wang Xiaoshuai. Film Literature,6, 40-41.

8. Chen, X. (2005). Wang Xiaoshuai Film Spirit Sculpture: From the Days to Shanghai Dream. Art Review, 7, 20-25.

9. Zhou F.(2013). A Focus on Realities – Research on Chinese Neo-Realistic Movies. Contemporary Movies, 4, 188-191.

10. Ni, X. (2018). China’s Neo-Realistic Movies. Jiangsu Social Sciences, 6, 196-201.

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the 2nd International Conference on Interdisciplinary Humanities and Communication Studies
ISBN (Print)
978-1-83558-183-4
ISBN (Online)
978-1-83558-184-1
Published Date
07 December 2023
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/20/20231302
Copyright
07 December 2023
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated