Communications in Humanities Research
- The Open Access Proceedings Series for Conferences
Communications in Humanities Research
Vol. 4, 17 May 2023
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Access | Article
Third Generation Zainichi Korean Hip Hop Music: Investigation of the Diverse Focus on Representation of Heritage Embodied by Young Zainichi Rappers
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Abstract
This research project centers on the discussion about the question of how the Third generation Zainichi Korean rappers internalize, reproduce and represent their Korean ethnic heritage through the form of Hip Hop. Three Zainichi rappers, including Chanmina, Kohh, and Moment Joon, are carefully selected for the case study with the expectation that they each embody a distinctive focus on their self-identity construction. The central proposition of this paper is to highlight the cruciality of approaching the ontological construction of young Zainichi Koreans concerning individual choices and then to regard the formation and representation of individual identities as an ongoing process rather than a fixed, monolithic entity.
Keywords
Cultural identities, Othering, Zainichi Koreans, Ethnic minority, Japanese Hip Hop
References
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2. Fukuoka Yasunori; Tsujiyama Yukiko. “MINTOHREN: Young Koreans Against Ethnic Discrimination in Japan.” The Bulletin of Chiba College of Health Science 10, no.2(1992): pp.147–62, Translated by John G. Russell, quoted in Ibid., pp.5
3. “Political group” refers to Minda/Chongryon, Zainichi Affiliations with South/North Korea. David Chapman, “The Third Way and beyond: Zainichi Korean identity and the politics of belonging,” Japanese Studies, Vol.24, No.1 (January 23, 2007): pp:29.
4. Rennie Moon, “Koreans in Japan,” Spice: Stanford Program on International and Cross-Cultural Education (Fall 2010), pp.3.
5. Eric Hobsbawm, The Invention of Tradition (Cambridge University Press, 2000), pp.1.
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7. Stuart Hall, “‘Introduction: who needs identity?’, in S. Hall and P. Du Gay (eds), Questions of Cultural Identity (London: Sage, 1996), pp.1–17, quoted in Chapman, “The Third Way,” pp.34.
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11. Chan is a common term added to the end of surname or titles by Japanese when speakers finds a person especially young children and female adolescents endearing.
12. Ian Condry, “Hip-Hop Japan: Rap and the Paths of Cultural Globalization,” (Duke University Press, 2006), pp.165-180.
13. ANNnewsCH, “The Foundation for Chanmina’s Message to Many in the Present Generation,” January 14, 2022, https://www.youtube.com/watch?v=s2p-6AZ3XvI&t=3s (accessed August 18 2022).
14. James E. Roberson, “Uchina Pop: Place and Identity in contemporary Okinawa Popular Music,” quoted in Laura Hein and Mark Seldon, eds., “Islands of Discontent: Okinawan Response to Japanese and American Power” (Rowman & Littlefield, 2003), pp.195.
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18. The anthropological use of “communitas” was first defined and promoted by scholar Victor Turner, which refers to a bonding of community by sharing similar marginalized experiences with the hope to overturn the existing order.
19. NHK, “Kohh Document,” Shibuya Note Present, March 24, 2020, https://www.bilibili.com/video/BV177411U7Tv?share_source=copy_web&vd_source=856f959a079a58bcb89b7614ebfd1e6c (accessed by August 18, 2022).
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Data Availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
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- Volume Title
- Proceedings of the International Conference on Interdisciplinary Humanities and Communication Studies (ICIHCS 2022), Part 2
- ISBN (Print)
- 978-1-915371-31-7
- ISBN (Online)
- 978-1-915371-32-4
- Published Date
- 17 May 2023
- Series
- Communications in Humanities Research
- ISSN (Print)
- 2753-7064
- ISSN (Online)
- 2753-7072
- DOI
- 10.54254/2753-7064/4/20220217
- Copyright
- 17 May 2023
- Open Access
- This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited