Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 27, 03 January 2024


Open Access | Article

The Way of Director Presenting Teenage Girls in a Movie and How It Influences Viewers of the Same Age and Gender, Taking the Film Lady Bird as an Example

Chuchu Song * 1
1 Aiglon College

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 27, 27-33
Published 03 January 2024. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Chuchu Song. The Way of Director Presenting Teenage Girls in a Movie and How It Influences Viewers of the Same Age and Gender, Taking the Film Lady Bird as an Example. CHR (2024) Vol. 27: 27-33. DOI: 10.54254/2753-7064/27/20232115.

Abstract

In the contemporary era of rapid development, the progress of feminism and the evolving status of women have come into focus through the collective efforts of diverse individuals. Various forms of media have played a pivotal role in portraying women's representation. Within the film industry, there has been a notable transformation in the depiction of female characters. Unlike the past, where women were often objectified through the traditional male gaze, modern cinema has given rise to multifaceted female characters brought to life by a myriad of directors and screenwriters. These characters have ceased to be mere accessories and have emerged as independent figures, relatable to countless female viewers. This analysis focuses on the movie Lady Bird as a compelling illustration of contemporary female diversity in cinema. Through an examination of five key scenes, this essay explores the cinematic language, emotions, and messages conveyed to the audience. It delves into how these elements resonate with women of a similar age to the film's heroines. In essence, Lady Bird effectively encapsulates the struggles and passions of young women during their high school years.

Keywords

Teenage, Youth, Movie, Young Feminity, Audience

References

1. Radner, H., & Stringer, R. (Eds.). (2012). Feminism at the movies: Understanding gender in contemporary popular cinema. Routledge.

2. Driscoll, C. (2011). Teen film: A critical introduction. Bloomsbury Publishing.

3. Shary, T. (2012). Teen films: The cinematic image of youth. In Film genre reader IV (pp. 576-601). University of Texas Press.

4. The Take. (2018, January 20). What’s so Great about Lady Bird: Video Essay. [Video]. YouTube. www.youtube.com/watch?v=eZL9ZPKfB6s

5. Magrin-Chagnolleau, I. (2013, July). The use of color in theater and film. In AIC2013–12th International AIC Congress.

6. Herdayanti, K., & Satria, R. (2021). Psychological Conflict Of The Main Character Reflected In Lady Bird Movie: English. JURNAL BASIS, 8(2), 231-238.

7. Heckmann, C., et al. (2023, September 11). What Is Realism in Film? Cinematic Realism Explained. StudioBinder. www.studiobinder.com/blog/what-is-realism-in-film-definition/

8. Harvey, G., et al. (2023, October 11). The Five Types of Lens Filters You Need for a Cinematic Look. FilmDaft. filmdaft.com/lens-filters-you-need-for-a-cinematic-look/

9. Katz, S. D. (1991). Film directing shot by shot: visualizing from concept to screen. Gulf Professional Publishing.

10. Shand, R. (2021) ‘Excitement lies elsewhere: Teenage film-makers and popular culture’. Film Education Journal, 4 (2), 195–211. DOI: https://doi.org/10.14324/FEJ.04.2.08.

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the 2nd International Conference on Interdisciplinary Humanities and Communication Studies
ISBN (Print)
978-1-83558-257-2
ISBN (Online)
978-1-83558-258-9
Published Date
03 January 2024
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/27/20232115
Copyright
03 January 2024
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated