Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 38, 01 July 2024


Open Access | Article

A Study of the Body Narrative in the Film Portrait de la Jeune Fille en Feu from a Feminist Perspective

Lanxin Guo * 1
1 Chongqing Technology and Business University

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 38, 58-62
Published 01 July 2024. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Lanxin Guo. A Study of the Body Narrative in the Film Portrait de la Jeune Fille en Feu from a Feminist Perspective. CHR (2024) Vol. 38: 58-62. DOI: 10.54254/2753-7064/38/20240132.

Abstract

This article analyses the body narrative in the film Portrait de la Jeune Fille en Feu from a feminist perspective, exploring the gendered power structures implicit in the female characters' bodily expressions and discussing how it constructs and reflects feminist theories. The article reviews the development of feminist theory, emphasises the importance of body narrative theory and its application in film studies, and chooses the film Portrait de la Jeune Fille en Feu as the object of study. Through textual analysis and feminist critical theory, this study dissects the body narratives of the female characters to reveal how visual language and symbols shape the body's position in gendered power relations. It is found that the female body narratives in the film are not only an expression of subjectivity, but also a response to social power structures, demonstrating the deep connection between gender, power and self-identity.

Keywords

body narrative, Portrait de la Jeune Fille en Feu, feminist, female body narrative

References

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3. Zhou X D. A Study of Female Body Narratives in Zhang Yimou's Films [D]. Hohhot: Inner Mongolia Normal University, 2020.6.

4. Fu X Y, Huang P. The Emotional Factor in Literary Critical Thinking[J]. Jiangxi Social Science, 1988(5): 107-112.

5. Polanyi M. The tacit dimension[M]. Chicago: University of Chicago Press, 2009:14.

6. Song J L. Narratology of Film and Television [M]. Beijing: Communication University of China press, 2007.

7. Jia L L. Introduction to Film Linguistics [M]. Shanghai: Fudan University Press, 2011.

8. Zhu W X. Zhu wenxiang Chinese opera anthology [M]. China Drama Press, 2004. 423.

9. Shusterman R. Body consciousness: A philosophy of mindfulness and somaesthetics[M]. Trans. Cheng Xiangzhan. Beijing: The Commercial Press, 2011.76.

10. Merleau-Ponty M, Landes D, Carman T, et al. Phenomenology of perception[M]. Routledge, 2013.

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the 3rd International Conference on Literature, Language, and Culture Development
ISBN (Print)
978-1-83558-497-2
ISBN (Online)
978-1-83558-498-9
Published Date
01 July 2024
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/38/20240132
Copyright
01 July 2024
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated