Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 23, 20 December 2023


Open Access | Article

Exploring the Foothold of Kunqu in Modern Society Through a Comparative Study of Different Versions of The Peony Pavilion

Yuhong Liu * 1
1 Yantai No.1 Middle School of Shandong

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 23, 48-53
Published 20 December 2023. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Yuhong Liu. Exploring the Foothold of Kunqu in Modern Society Through a Comparative Study of Different Versions of The Peony Pavilion. CHR (2023) Vol. 23: 48-53. DOI: 10.54254/2753-7064/23/20230511.

Abstract

After the publication of the youth version of The Peony Pavilion in 2004, Kunqu, a classical Chinese theatre, experienced a significant resurgence in both popularity and esteem. This renewal instigated a stronger emphasis on inventive and contemporary adaptations of the traditional repertoire. As culture evolves and advances, there is no doubt that classical theatre must also adapt to keep up with the times. The primary aim of this essay is to examine a contemporary phenomenon through a research methodology that compares and contrasts traditional and modern theatre styles. Specifically, this research focuses on the modern rendition of The Peony Pavilion, a renowned Kunqu opera that illustrates how traditional Chinese theatre can be adjusted to modern contexts while preserving its allure and importance. Additionally, this research project investigates the qualities and mechanisms of modernization in classical Chinese theatre. By concentrating on The Peony Pavilion, this study seeks to disclose how Kunqu integrates and embraces change while retaining its fundamental aspects. As a result, the research aids in crafting efficient techniques for modifying classical art forms to contemporary settings, guaranteeing that these traditional art forms remain significant and appealing over time. This will meet the increasing demand for contemporary performances while ensuring the longevity and preservation of classical arts in the ever-evolving 21st century.

Keywords

The Peony Pavilion, theatrical modernization, Kunqu, Bai Xianyong

References

1. Wang, Y.F. (2006) Study on the Dissemination of The Peony Pavilion[D] . Shanghai Theatre Academy.

2. Zou, H. (2005) Between Classical and Modern - The Interpretation of the Youth Version of Kunqu Opera The Peony Pavilion[J]. Literature and Art Research, (11):104-109+162.

3. Yu, X.Y. (2013) Modernization of Traditional Opera to Achieve Chinese Opera Going Global: Taking Kunqu as an Example: A Comparison of the New Concept Kunqu “Hidden” and the youth version of The Peony Pavilion in Foreign Exchange[J]. Art Hundred,29(02):208-210.

4. Lin, Y. (2014) An innovative model for the cross-cultural communication of Chinese opera[J]. Opera Art,35(04):70-75.DOI:10.15915/j.cnki.cn11-1172/j.2014.04.016.

5. Bai, X.Y. (2006) A Documentary of the Tour of the Eight Famous Schools of the Youth Version of The Peony Pavilion with Beautiful Purples and Hundred Colors, in Bai Xianyong, edited by Bai Xianyong, Dreams of Bai Xianyong and the Youth Version of The Peony Pavilion, Huacheng Publishing House, pp. 91-92.

6. Liu, X.H. and Liu, S.X. (2022) Research on the cross-cultural communication path of the youth version of The Peony Pavilion[J]. Journal of Changchun Institute of Education,38(06):91-96.

7. Liu, X. (2015) Wish that the moon would fall and the lamp would be reborn red again Tasting the master version of The Peony Pavilion[J]. Shanghai Drama,(02):33-35.DOI:10.14179/j.cnki.shxj.2015.02.026.

8. Liu, Z. (2016) Approaching the masters of the master version of The Peony Pavilion[J]. Creative Review Tan,(05):31-35.

9. Zheng, N. (2023) The Peony Pavilion” reveals its true colors and reproduces the “true national colors” of Kunqu[N]. People’s Daily Overseas Edition,2023-03-20(007).DOI:10.28656/n.cnki.nrmrh.000851.

10. Hu, Y.F. (2023) The old is as new as the new is the most touching: The feeling of watching the full-length 55-episode Peony Pavilion of Shanghai Kun Opera[J]. Script,(06):50-52.

11. Du, Z.M. (2023) The Reunion Version of The Peony Pavilion: illuminating the self in the puzzle of a dream[J]. Shanghai Art Review,(01):62-63.

12. Jin, Y., Xin, Y. (2023) Let The Peony Pavilion Bloom” Interview with Guo Xiaonan, Director of Shanghai Kun Opera Troupe’s Full-length Peony Pavilion[J]. Shanghai Drama,(01):7-11.DOI:10.14179/j.cnki.shxj.2023.01.013.

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Authors who publish this series agree to the following terms:

1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this series.

2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this series.

3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See Open Access Instruction).

Volume Title
Proceedings of the International Conference on Global Politics and Socio-Humanities
ISBN (Print)
978-1-83558-241-1
ISBN (Online)
978-1-83558-242-8
Published Date
20 December 2023
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/23/20230511
Copyright
20 December 2023
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated