Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 14, 20 November 2023


Open Access | Article

Research on the Influence of War on Film Art ——Taking Casablanca During World War II as an Example

Bonny Tan Xuan Hu * 1
1 University of California

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 14, 106-110
Published 20 November 2023. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Bonny Tan Xuan Hu. Research on the Influence of War on Film Art ——Taking Casablanca During World War II as an Example. CHR (2023) Vol. 14: 106-110. DOI: 10.54254/2753-7064/14/20230418.

Abstract

The monumental events of World War II deeply impacted numerous spheres of human life, including Hollywood cinema. This paper delves into the influence of WWII on Hollywood’s thematic and narrative shifts, using the iconic film Casablanca (1942) as its focal point. Released amidst the war’s tumult, Casablanca seamlessly blends a distinct love story with contemporary political dynamics, exemplifying Hollywood’s adaptive response to wartime conditions. Through meticulous examination of Casablanca, this study gleans insights into Hollywood’s filmmaking choices and content transformation against the war’s backdrop, drawing from varied sources such as film archives, governmental records, and industry reports. This exploration vividly highlights the lasting impact of the war on cinema, positioning Casablanca as a paragon of the synergy between cinematic art and wartime politics.

Keywords

Casablanca, World War II, Hollywood, cinema, film industry

References

1. Casablanca. (1942). United States: Warner Bros. Pictures, Inc.

2. “Casablanca”. (1943). Monthly Film Bulletin, 10, 3.

3. Harmetz, A. (2002). The Making of Casablanca: Bogart, Bergman, and World War II. New York, NY: Hyperion.

4. Association of Motion Picture Producers, Inc. (1942). Production Code of Ethics. The 1942 Film Daily Year Book of Motion Pictures.

5. Kakutani, M. (1993, December 28). How World War II made the Movies Grow Up. New York Times (1923-).

6. Doherty, T. P. (2005). Projections of war: Hollywood, American culture, and World War II. New York: Columbia University Press.

7. Haver, R. (1976). Finally, the Truth About CASABLANCA. American Film (Archive: 1975-1992), 1(8), 10–16.

8. Breen, J. I. (1942, May 19). Letter from Breen to Warner. Margaret Herrick Library/ Academy of Motion Picture Arts and Science.

9. Miller, F. (1993). Casablanca: As Time Goes By: 50th Anniversary Commemorative. London: Virgin.

10. Jackson, K. M. (2000). Playing it again and again: Casablanca’s Impact on American Mass Media and Popular Culture. Journal of Popular Film and Television, 27(4), 33–41. doi:10.1080/01956050009602813.

11. Lebo, H. (1992). Casablanca: Behind the Scenes. New York: Simon & Schuster.

12. Steinbock, D. J. (1993). Refuge and Resistance: Casablanca’s Lessons for Refugee Law. Georgetown Immigration Law Journal.

13. Bordwell, D. (2019). Classical Hollywood Cinema: Narrational Principles and Procedures. In Film Art: An Introduction (pp. 17–32). Wisconsin: University of Wisconsin Press.

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the International Conference on Global Politics and Socio-Humanities
ISBN (Print)
978-1-83558-117-9
ISBN (Online)
978-1-83558-118-6
Published Date
20 November 2023
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/14/20230418
Copyright
20 November 2023
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated