Communications in Humanities Research
- The Open Access Proceedings Series for Conferences
Communications in Humanities Research
Vol. 12, 20 November 2023
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Perceiving Falstaff: An Exploration of the Clown Image
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Abstract
Among the many roles in Western drama that originated in ancient Greece, fools occupy a significant place, and its image has been gradually enriched with the development of drama. Beyond simply making the audience laugh, the words and deeds of clowns seem to have a deeper meaning, which can arouse people’s resonance and reflection. Starting from the origin of drama and the development analysis of the image of clowns, this article aims to analyze the complex connotation behind Falstaff, the classic fool chosen from Shakespeare’s play Henry IV, in detail from multiple perspectives. The vivid image of Falstaff in Shakespeare’s work is a transcendence of the early clowns. At the same time, Falstaff also conveys the humanist ideals of the author.
Keywords
Shakespeare’s fool, Falstaff, theater, Henry IV, renaissance
References
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Data Availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
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- Volume Title
- Proceedings of the International Conference on Global Politics and Socio-Humanities (ICGPSH 2023)
- ISBN (Print)
- 978-1-83558-113-1
- ISBN (Online)
- 978-1-83558-114-8
- Published Date
- 20 November 2023
- Series
- Communications in Humanities Research
- ISSN (Print)
- 2753-7064
- ISSN (Online)
- 2753-7072
- DOI
- 10.54254/2753-7064/12/20230069
- Copyright
- 20 November 2023
- Open Access
- This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited