Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 16, 28 November 2023


Open Access | Article

Influence of Cultural and Economic Factors on the Design Form of Canglang Pavilion

Zhang Jie * 1
1 Soochow University

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 16, 68-73
Published 28 November 2023. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Zhang Jie. Influence of Cultural and Economic Factors on the Design Form of Canglang Pavilion. CHR (2023) Vol. 16: 68-73. DOI: 10.54254/2753-7064/16/20230287.

Abstract

The design form is often influenced by the cultural and economic factors of its creation period, aligning with the aesthetic ideals of the specific era. The exploration of Chinese classical gardens in terms of site selection, layout, landscaping, lighting, and shadow has resulted in a rich and unique spatial design approach. The humanistic concepts underlying this aesthetics, such as “harmony between man and nature” and “emulating nature,” are fundamental factors in the formation and development of traditional Chinese garden construction. This paper first analyzes the construction background of Canglang Pavilion from both cultural and economic perspectives. Secondly, it summarizes the role of the cultural environment in shaping the design form of Canglang Pavilion, including creating a “transformation of the real into the virtual” spatial form and fostering a spiritual orientation towards “returning to nature.” Building on this foundation, with references from ancient and contemporary literature, it explores the impact of economic factors on the design form of Canglang Pavilion, focusing on garden architecture, rock stacking techniques, and the cultivation of garden flora. The aim is to explore interpretative and appreciative methods and creative construction approaches that can be applied to enrich and diversify modern Chinese garden construction.

Keywords

culture, economy, design form, Canglang Pavilion

References

1. Chai, M. (2013). Visual Perception of Design Forms [Unpublished doctoral dissertation]. Qingdao University of Science and Technology.

2. Chen, Y. (2001). Jindai Mingguan Conggao Er Bian [M]. Sanlian Bookstore.

3. Zhou, Y. (2019). A Brief Analysis of the Garden-Making Techniques in Chinese Classical Gardens—A Case Study of Canglang Pavilion in Suzhou. Yuanlin, (01).

4. Xue, F. (2022). On the Delicacy of Song Dynasty Appreciation Stones—Taking “Yunlin Shipu” as an Example. Gansu Social Sciences, (05), 88-97. DOI:10.15891/j.cnki.cn62-1093/c.2022.05.016.

5. Lei, J. (2021). Imperfections Do Not Conceal Gems: A Review of Lin Youlin’s “Suyuan Shipu” (Part 2). Chinese Scholar’s Rock, (09), 96-99.

6. Ke, L. (2019). The Scholarship of Peony Records in the Song Dynasty [Unpublished doctoral dissertation]. Wuhan University. DOI:10.27379/d.cnki.gwhdu.2019.000939.

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the International Conference on Global Politics and Socio-Humanities
ISBN (Print)
978-1-83558-165-0
ISBN (Online)
978-1-83558-166-7
Published Date
28 November 2023
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/16/20230287
Copyright
28 November 2023
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated