Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 3, 17 May 2023


Open Access | Article

An Analysis of How Chinese Films Go Abroad from the Aspect of Intercultural

Yinghua Wang * 1
1 Guangzhou College of Commerce, Jiulong Dadao, Huangpu District, Guangzhou, Guangdong Province, China

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 3, 37-46
Published 17 May 2023. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Yinghua Wang. An Analysis of How Chinese Films Go Abroad from the Aspect of Intercultural. CHR (2023) Vol. 3: 37-46. DOI: 10.54254/2753-7064/3/20220140.

Abstract

Globalization of culture has become a trend in the modern era as a result of the global economy's integration and the free flow of foreign capital elements. Cultural industries are growing fast in a variety of countries and locations. The engine that powers the cultural industry's rapid development is the production of competitive and influential indigenous films. At the moment, it is critical for Chinese culture to expand internationally to create Chinese indigenous films with international influence. It has developed into a significant concern for Chinese filmmakers. This time, the emphasis will be on cross-cultural communication, using recent Chinese blockbusters as models to demonstrate how Chinese indigenous films can succeed internationally.

Keywords

Chinese Cinema, Cross-culture, Communication.

References

1. Rao, Shuguang. (2011). Globalization and Chinese film globalization strategy. Journal of the PLA Academy of Arts, 02, 5-11.

2. Qu, Hui-Min. (2012). Study on the strategy of Chinese culture going abroad [Ph.D., Shandong Normal University].

3. Mingyue, S. (2019). A Study on the Intercultural Communication Strategy of Chinese Films in the Context of Globalization. 4.

4. Huang, X. X., & Su, H. Y.. (2020). How can Chinese culture go out effectively? --A qualitative comparative analysis based on 20 cultural outreach cases (QCA). Journal of Southwest University for Nationalities (Humanities and Social Sciences Edition), 41(08), 46-54.

5. Sun Wei. (2021). From copyright export to Chinese culture going out. China Editorial, 12, 33-37.

6. Xiao, Pengfei. (2020). Exploring the cultural self-awareness of Chinese films in the context of cross-cultural communication. Prose Hundred (Theory), 10, 186.

7. Janet Vasco, & Xiangling Bi. (2006). A feast of glitz and glamour: Hollywood film industry revealed. CITIC Press.

8. Cheng Chen. (2019). New thoughts on the road to internationalization of Chinese cinema. Audiovisual, 11, 44-45.

9. Han Yeting. (2021, December 20). How Chinese films should "go global". Guangming Daily, 001.

10. Lee, Carrie. (2020). Exploring the international communication of Chinese films in the context of cultural outreach [M.A., Beijing Foreign Studies University].

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the International Conference on Interdisciplinary Humanities and Communication Studies (ICIHCS 2022), Part 1
ISBN (Print)
978-1-915371-29-4
ISBN (Online)
978-1-915371-30-0
Published Date
17 May 2023
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/3/20220140
Copyright
17 May 2023
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated