Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 3, 17 May 2023


Open Access | Article

Ethnic and Personal Passing in the Autobiography of an Ex-colored Man

Jie Min * 1
1 Department of English, Xi'an International Studies University, Xi'an, 710128, China

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 3, 93-97
Published 17 May 2023. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Jie Min. Ethnic and Personal Passing in the Autobiography of an Ex-colored Man. CHR (2023) Vol. 3: 93-97. DOI: 10.54254/2753-7064/3/20220201.

Abstract

Passing has multiple meanings in African American literature, especially in the area of personal identity in distinct races. In The Autobiography of an Ex-colored Man, James Weldon Johnson describes many aspects of passing, which mainly focus on suspicious of their individual identity and inquisitiveness between two races. Among the series of “passing,” James Weldon Johnson lay emphasis on the ethnic passing, which refers to the particular way that both black and white people used to cross the border of racial segregation, which could help them overcome the difficulties or comprehend the other races. It could be physical, emotional, or even cognitive. On the other hand, Johnson also depicts the characters’ identities passing both from black to white and white to black. This paper analyzed The autobiography of an Ex-colored Man, trying to find out the series of “passing” and their indicated meanings, which may have repercussions for how future scholars interpret this literature.

Keywords

African American, Cultural Recognition, James Weldon Johnson, Passing, Races, Double Consciousness

References

1. Andrews, William L. Introduction. The Autobiography of an Ex-Colored Man. By James Weldon Johnson. New York: Penguin, 1990. vii– xvii.

2. Sugimori, Masami. “Narrative Order, Racial Hierarchy, and “White” Discourse in James Weldon Johnson’s the Autobiography of an Ex-Colored Man and along This Way.” MELUS: Multi-Ethnic Literature of the U.S., vol. 36, no. 3, 2011, pp. 37–62, 10.1353/mel.2011.0041. Accessed 10 Nov. 2020.

3. Wald, Gayle. Crossing the Line: Racial Passing in Twentieth-Century U.S. Literature and Culture. Durham: Duke UP, 2000

4. TALLY, JUSTINE. “M. Gulia Fabi, Passing and the Rise of the African American Novel (University of Illinois Press, 2001, $32.50). Pp. 187. ISBN 025 2026675.” Journal of American Studies, vol. 37, no. 1, Apr. 2003, pp. 135–177, 10.1017/s0021875803317049.

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8. James Weldon Johnson. The Autobiography of an Ex-Coloured Man. New York, Hill And Wang, 1997.

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10. Du Bois, W.E.B. The Souls of Black Folk. New York, Barnes & Noble Classics, 2005.11.

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12. Tate, Ernest Carter. The Social Implications of the Writings and the Career of James Weldon Johnson. Ann Arbor, Mich. :UMI, 1959.

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Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the International Conference on Interdisciplinary Humanities and Communication Studies (ICIHCS 2022), Part 1
ISBN (Print)
978-1-915371-29-4
ISBN (Online)
978-1-915371-30-0
Published Date
17 May 2023
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/3/20220201
Copyright
17 May 2023
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated