Communications in Humanities Research
- The Open Access Proceedings Series for Conferences
Vol. 23, 20 December 2023
* Author to whom correspondence should be addressed.
As a mature work of ancient Chinese tragedy, Dou E Yuan not only accuses the cruel reality of disregard for human life, but also has a great influence on later literature and drama. Up to now, it has also appeared as a classic in stage performances, teaching books, etc. Many dramas are deeply inspired by its artistry, theme and realism. The "red literary works" with the same goal as "two for the road" also need a strong political propaganda means to publicize revolutionary thoughts by means of this art form. From the perspective of female images in Dou E Yuan and Two for the Road, this paper comprehensively analyzes the embodiment of female personality characteristics, values and artistic techniques in the two dramas, and compares and investigates the characteristics, situations and changes of gender consciousness of female images in the two dramas.
Tian Han, "two for the road", Guan Hanqing, Dou E Yuan
1. Liang Jie. Viewing the characteristics of Chinese classical tragedy from Dou E Yuan [J]. Appreciation of Famous Works, 2014, No.467(15): 141-142.
2. Song Min. A comparative study of female images in Hamlet and Dou E Yuan [J]. Journal of Inner Mongolia University (Humanities and Social Sciences Edition), 2005 (06): 27-31. DOI: 10.13484/J.cnki.ndxbzsb.2005. 06.006.
3. Li Xianglin. Gender perspective analysis of Dou E Yuan [J]. Journal of Southeast University (Philosophy and Social Sciences Edition), 2004 (06): 109-112 +116-127. DOI: 10.13916/J.cnki.issn1671-511x. 2004.06.023.
4. Yu Liya. Interpreting the female group images of the drama Two for the Road [J]. Grand Stage, 2011, No.279 (08): 26-27.
5. Chen Weihua. Thoughts on Constructing New Female Images in Modern Chinese Films--Taking Three Modern Women, New Women and Two for the Road as Examples [J]. Journal of Shanghai Normal University (Philosophy and Social Sciences Edition), 2014, 43 (05): 101-108. DOI: 10.13852/J.CNKI.JSHNU.2014. 05.013.
6. Wang Zhujie. "Sexualized" Revolution and "Revolutionary" Sex--The Evolution of Literary Sex Narration from "Left-wing Literature" to "Seventeen Years" [J]. Shandong Social Sciences, 2009 (11): 48-53. DOI: 10.14112/j.cnki.37-1053/c.2009.
7. Wang Xiaoling. Female images in "Seventeen Years" revolutionary historical novels [D]. Northeast Normal University, 2007.
8. Zhang Yongzhong. Female images in Tian Han's early drama creation [J]. Literature Education (middle), 2014, No.284 (03): 93-94.
9. Liu Wanming. Modern "Sex" of Revolution-Erotic Theme in Left-wing Literary Theory around 1930 [J]. Journal of Sun Yat-sen University (Social Science Edition), 2010, 50 (01): 51-57.
10. Shi Yingxin. Analysis of the relationship between Dou E's "three wishes" and his character [J]. Journal of Inner Mongolia University for Nationalities, 2012, 18 (01): 9-10.
11. Sebrina. Analysis of female images and causes in Tian Han's dramas in the 1920s [J]. Chinese Journal, 2007, No.239 (21): 90-92.
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Authors who publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See Open Access Instruction).