Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 4, 17 May 2023


Open Access | Article

Critique of Wang Guowei’s Gu Ya Theory and the Establishment of Veneration of Antiquity

Dian Shang * 1
1 Department of Philosophy, Drew University, 36 Madison Ave, New Jersey, the United States

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 4, 105-113
Published 17 May 2023. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Dian Shang. Critique of Wang Guowei’s Gu Ya Theory and the Establishment of Veneration of Antiquity. CHR (2023) Vol. 4: 105-113. DOI: 10.54254/2753-7064/4/20220269.

Abstract

Wang Guowei’s Gu Ya theory is considered one of the most influential aesthetic theories in modern China but has not been taken seriously in western scholarship. In this theory, Wang Guowei tries to oppose Kant's theory of genius by claiming that everyone should be able to create beauty. Wang Guowei focuses heavily on the Chinese literati instead of the whole population to which Kant refers. I found the Gu Ya theory implausible for either the Chinese literati or the peasants because the two points that Wang Guowei provides, “the first form” and the “markedness,” would be considered inadequate to prove his arguments. Besides that, one reason the Gu Ya theory fails to achieve its goal is the ignorance of the “veneration of antiquity,” which is significant in Chinese aesthetic appreciation. We must find solutions to either solve or refine the Gu Ya theory in order to accelerate the development of Chinese aesthetics. I firstly criticized and corrected the ambiguity of Wang Guowei’s “the first form” and the misunderstanding of the concepts of “marked” and “unmarked” in Chinese literature. Then, I established the “veneration of antiquity” as my aesthetic theory that fits the Chinese literati. In the end, I posted a thought about Wang Guowei’s idea of “wu ren 吾人” in his Gu Ya theory because he does not clarify and fails to build a connection with Kant’s theory.

Keywords

Chinese literature, Wang Guowei, Chinese aesthetics, Gu Ya theory, Kant

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Volume Title
Proceedings of the International Conference on Interdisciplinary Humanities and Communication Studies (ICIHCS 2022), Part 2
ISBN (Print)
978-1-915371-31-7
ISBN (Online)
978-1-915371-32-4
Published Date
17 May 2023
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/4/20220269
Copyright
17 May 2023
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated