Communications in Humanities Research
- The Open Access Proceedings Series for Conferences
Communications in Humanities Research
Vol. 2, 28 February 2023
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The Relation Between Architectural Style of Different Dynasties and the Sociocultural Context in Ancient China: A Comparative Study of Architectural Style in Tang and Ming Dynasty
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Abstract
The Tang empire marked the peak of imperial China as it was one of the greatest superpowers in the world of its time. The Daming Palace that represented the empire’s authority and strength was also of glory. It was an unprecedentedly magnificent compound built to demonstrate the supremacy of the vast empire to all its people and visitors. Despite the empire’s mightiness, rising warlords and corrupt bureaucrats destroyed it from within as well as the Daming Palace. After the downfall of Tang, China experienced a long period of chaos and another Han-ruled empire was only to be seen five contraries later. The Ming empire reorganized regimes in China and the Forbidden City in Beijing, which still exists today, demonstrates in silence the changes of Chinese society. From the changes in symbolism significance and more deliberate distinction of the royalty’s privilege, as the one chosen by god, from others in the empire, we can connect the social changes with the surfacing changes of buildings. For example, the Ming government had more control at local levels so that they could collect more taxes and nip any potential threat to the central government in the bud. The government also conducted an embargo in coastal areas to protect them from foreign invaders. To eliminate all threats to the throne, the empire set up a secret police force that supervised the society from nobilities to peasants. All these policies lead to a stricter social stratification that was visible through the changes in architecture. The changes in politics and economic aspects such as taxation lead us to one conclusion, which is the strengthening of the centralization of power and an extension of governance to lower levels. And this study is planned to unveil the connections between the changes in architectural and social developments.
Keywords
architectural craftsmanship, political structures of Tang and Ming dynasties, social stratification, the architectural layout of Tang and Ming dynasties
References
1. Cartier, M. (1963). The Ming dynasty bureaucracy: Aspects of background forces. MS 22.
2. Herson, L. J. (1957). China's imperial bureaucracy: its direction and control. Public Administration Review, 44-53.
3. Chung, S. P. (1990). A study of the Daming Palace: Documentary sources and recent excavations. Artibus Asiae, 50(1/2), 23-72.
4. Steinhardt, N. S. (2004). The Tang architectural icon and the politics of Chinese architectural history. The Art Bulletin, 86(2), 228-254.
5. Gao, J. (2016). Symbolism in the Forbidden City. Education about Asia, 21(3).
6. Gou, A., & Wang, J. (2010). The development of roof color in ancient China. Color Research & Application, 35(4), 246-266.
Data Availability
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
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- Volume Title
- Proceedings of the 3rd International Conference on Educational Innovation and Philosophical Inquiries (ICEIPI 2022), Part III
- ISBN (Print)
- 978-1-915371-11-9
- ISBN (Online)
- 978-1-915371-12-6
- Published Date
- 28 February 2023
- Series
- Communications in Humanities Research
- ISSN (Print)
- 2753-7064
- ISSN (Online)
- 2753-7072
- DOI
- 10.54254/2753-7064/2/20220364
- Copyright
- 28 February 2023
- Open Access
- This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited