Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 19, 07 December 2023


Open Access | Article

The Thematic Interpretation of Robert Browning’s Renaissance Dramatic Monologue

Ziqing Tang * 1
1 Liaoning Normal University

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 19, 141-147
Published 07 December 2023. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Ziqing Tang. The Thematic Interpretation of Robert Browning’s Renaissance Dramatic Monologue. CHR (2023) Vol. 19: 141-147. DOI: 10.54254/2753-7064/19/20231219.

Abstract

Robert Browning’s dramatic monologue is a unique form in British Victorian literature. Its unique style reflects various characteristics of that time, and therefore, by analyzing Browning’s dramatic monologues, various aspects of Victorian society and culture, as well as individual roles and struggles, can be deeply understood. Moreover, Browning’s works provide rich materials and profound thinking for literary research, and hold an important position in the field of literature. In order to better explain the styles of his works, this article provides an in-depth analysis of Browning’s two famous poems, “My Last Duchess” and “The Bishop Orders His Tomb at Saint Praxed’s Church”. These current article examine characters, themes, and historical backgrounds, showcasing Browning’s unique approach to Renaissance content. In addition, this study compared Browning’s Renaissance dramatic monologues with three Renaissance poets: Shakespeare , John Milton and William Wordsworth , this comparative analysis highlights the uniqueness of Browning’s perspective, the differences in understanding the Renaissance compared to his predecessors, and his contribution to the genre of dramatic monologues. In summary, this study aims to reveal Robert Browning’s artistic views and the subtle differences in themes in his Renaissance dramatic monologues. It provides an understanding of Browning’s unique position in literary schools and his contributions to the literary world.

Keywords

Robert Browning, dramatic monologue, My Last Duchess, The Bishop Orders His Tomb at Saint Praxed’s Church

References

1. Lu X. (2012). Robert Browning’s Renaissance monologue and its relevance to the Victorian era (Doctoral dissertation, Peking University).

2. Martens, B. (2005). Knight, bard, gallant: The troubadour as a critique of romanticism in Browning’s Sordello. Palgrave Macmillan US.

3. Hawlin, S. (1992). Robert Browning. Macmillan International Higher Education.

4. Cervo, N. P. (1987). Browning’s men: A study in Victorian character and values. Greenwood Publishing Group.

5. Karlin, D. (2012). The Courtship of Robert Browning and Elizabeth Barrett. Victorian Poetry, 50(1), 57-78.

6. Ryals, C. (1981). The Life of Robert Browning: A Critical Biography. Blackwell Publishers.

7. Meng X. (2008) The Mirror of the Times - Robert Browning’s Non Personalized Dramatic Monologue Journal of Sichuan Normal University (Social Sciences Edition).

8. Langbaum, R. (1957). The Poetry of Experience: The Dramatic Monologue in Modern Literary Tradition. Oxford University Press.

9. Fei, B. (2021). Robert Browning: A Critical Reader. East China Normal University Press.

10. Liu X. (2001) On the Artistic Style of Browning’s Poetry Foreign Literature Review (4), 8.

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

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Volume Title
Proceedings of the 2nd International Conference on Interdisciplinary Humanities and Communication Studies
ISBN (Print)
978-1-83558-181-0
ISBN (Online)
978-1-83558-182-7
Published Date
07 December 2023
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/19/20231219
Copyright
07 December 2023
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated