Communications in Humanities Research
- The Open Access Proceedings Series for Conferences
Vol. 18, 07 December 2023
* Author to whom correspondence should be addressed.
Shakespeare was a famous playwright and poet during the English Renaissance. His sonnets had a profound impact on world poetry. In the sonnets, he uses different images to express his inner emotions, and China also has extraordinary achievements in the sonnets. The ancient Chinese poets were good at using different intentions to express their feelings. Therefore, this paper focuses on the differences between Shakespeare’s sonnets and the imagery in Chinese poetry. The choice of images in Shakespeare’s sonnets and ancient Chinese poetry is closely related to the background of The Times. Shakespeare’s choice of images focuses more on seasonal animals, while the images in ancient Chinese poetry are more inclined to choose plants and the moon, and the expressions of emotions in ancient Chinese poetry are consistent.
Shakespeare’s sonnets, ancient Chinese poetry, image
1. Chen Jing. (2017). Analysis of the Natural Images in Shakespeare’s Sonnets. Journal of Kaifeng University, 31(3), 3.
2. Zhao Hansong. (2019). Analysis of Animal Imagery in Shakespeare’s Sonnets. Drama House (5), 2.
3. Zuo Jia. (2016). The Composition of Summer Imagery in Shakespeare’s Sonnets from the Perspective of Cognitive Perspective. Chinese Construction (9Z), 2.
4. Zhu Jie. (2016). A new interpretation of Shakespeare’s sonnets from the perspective of conceptual cognition. Chinese Construction (11Z), 2.
5. Wang Qiang. (2012). Moon Imagery in Ancient Chinese Poetry. Journal of Puyang Vocational and Technical College, 25(5), 3.
6. Liu Yuling. (2015). A different kind of moon, a variety of emotions - the image of the moon in ancient Chinese poetry. The road to success in composition: sprinting for the college entrance examination (Part 1).
7. Zheng Ping. (2009). The Art of Imagery in Ancient Chinese Poetry. Journal of Shaoguan University, 30(10), 4.
8. Deng Weilong, Yin Sue. (2012). Imagery and its Spatiality--On the Spatiality of Ancient Chinese Poetics from the Perspective of Words, Imagery, and Meaning Journal of Hechi University, 32(1), 6.
9. Zheng Ping. (2009). The Inheritance of Modern Chinese Poetry to the Image Art of Ancient Chinese Poetry. Journal of Nanchang Institute of Education (3), 6.
10. Zhang Lingran. (2015). Imagery Research in Shakespeare’s Sonnets. English Square: Academic Research (4), 2.
The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Authors who publish this series agree to the following terms:
1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this series.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this series.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See Open Access Instruction).