Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 14, 20 November 2023


Open Access | Article

The Dissemination Pathway and Influence of Hallyu Culture in China

Beierqi Wang * 1
1 Xizangminzu University

* Author to whom correspondence should be addressed.

Communications in Humanities Research, Vol. 14, 15-19
Published 20 November 2023. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Beierqi Wang. The Dissemination Pathway and Influence of Hallyu Culture in China. CHR (2023) Vol. 14: 15-19. DOI: 10.54254/2753-7064/14/20230396.

Abstract

Since the 1990s, a cultural wave of Hallyu, or the South Korean wave, has gradually arisen in China. Hallyu generally refers to the South Korean culture and lifestyle that have gained popularity domestically, primarily through the dissemination of TV dramas, music, and artists, with “Blackpink” as a representative example. Since Hallyu’s inception in China, it has remained a hot topic across major media and portal websites. Its influence touches on various aspects of Chinese cultural audiences, attributing its success to the inherent South Korean culture in Hallyu. This paper studies the pathway and influence of Hallyu culture’s dissemination in China, analyzing it from four perspectives: government, corporations, culture, and audiences, seeking reasons for the successful propagation of Hallyu culture and its enlightening implications for the Chinese cultural industry. Based on the roots of local culture with the spirit of embracing all rivers can people turn the collision of Chinese culture and foreign culture into an opportunity for cultural renewal to usher in the great historical revival of Chinese culture in the 21st century. The primary research methods employed in this study are literature analysis and semi-structured interviews.

Keywords

Hallyu, mass communication, Hall’s Encoding

References

1. Shen Wangshu. ( 2005) “Soft Power” knocking at the door of China [J]. Zuowang, (8): 21.

2. E Stuart Hall. (2000) Wang Guangzhou Translation. Coding/Decoding [A]. Luo Gang, Liu Xiangyu (Ed.). Cultural Studies Reader [M]. Beijing: Chinese Social Sciences Press, 345-358.

3. Wu Baoxiu, Su Feng. (2014)The Key factors of the success of “Korean Wave” from Korean dramas [J]. Contemporary TV, (12) : 29-30.

4. Liu Ling. (2016) The construction process of “Korean Wave” from the perspective of cultural sociology.

5. Bu Yanfang. (2011) The New development of Korean TV Industry [J]. TV Research, (2) : 71.

6. Kang Seok-il (Han), Zhao Wuxing. (2009) Korean cultural Industry [M]. Beijing: Foreign Language Teaching and Research Press, 40-42.

7. Luo Li. (2005) South Korea’s Cultural development Strategy and the Development of cultural Industry [J]. Southeast Asian Studies, (3). a.

8. Zhang Zhiyu, Su Feng, CHANG Fengxia. (2014) South Korean government’s support for the international operation of South Korean TV drama industry [J]. Ocean University of China Journal of Science, (5) : 47-54.

9. Zhan Xiaohong. (2007)The prevalence of “Korean Wave” culture in China and its reasons [J]. Contemporary Korea, 69-70.

10. Xu Haibo, Huang Dongling. (2006) Mass Culture from the Perspective of Ideology [J]. Journal of Shenzhen University (Humanities and Social Sciences Edition), (11) : 99-103.

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Authors who publish this series agree to the following terms:

1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this series.

2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this series.

3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See Open Access Instruction).

Volume Title
Proceedings of the International Conference on Global Politics and Socio-Humanities
ISBN (Print)
978-1-83558-117-9
ISBN (Online)
978-1-83558-118-6
Published Date
20 November 2023
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/14/20230396
Copyright
20 November 2023
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated